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HARADA KEIGAKU: SURIMONO OF FLOWER PARASOLS (HANAGASA)
奥地利
2023年12月01日 开拍 / 2023年11月29日 截止委托
拍品描述
HARADA KEIGAKU: SURIMONO OF FLOWER PARASOLS (HANAGASA)

By Harada Keigaku (1803-1885), sealed Keigaku ga in
Japan, 19th century

Haikai color woodblock print and blind stamping on paper. Obosho format. Sealed Keigaku ga in and signed by the publisher Shoken rojin sho (Compilation written by the old man Shoken) with the seal Nishin.

The lower right-hand register depicting five noblewomen at a hanami (Flower viewing) standing beneath grey parasols surrounded by flowering cherry blossoms. The upper-left corner depicting a twin peaked mountain. Three rows of vertical poems stretch across the print, consisting of Haiku’s regarding spring, birds, and the celebration of flowers.

SIZE of the sheet 40.4 x 56.6 cm

Condition: Good condition and impression with slight fading to the colors, minor soiling, small creases, folding lines, light staining, and some foxing, otherwise presenting well.
Provenance: Collection of Robert and Isabelle de Strycker. Inside the passepartout inscribed, ‘Dame noble et ses suivantes allant regarder la floraison des ierisiers (Hanami).’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).

Museum comparison:
Compare a related surimono depicting a festival at Koto Haichiman shrine, dated 1844, In the Minneapolis Institute of Art, accession number P.77.27.94.

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拍品估价:200 - 400 欧元 起拍价格:200 欧元  买家佣金: 35.00%

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