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黃宇興 無政府主義者的一次漂流 壓克力彩 畫布 二〇一八年作 Huang Yuxing b.1975 A Drift of an Anarchist Acrylic on canvas Painted in 2018
香港
2023年10月08日 开拍
拍品描述
size:145 x 230 cm. 57 1/8 × 90 1/2 in.
款識 Huang Yuxing 2018(右下) 出版 2018年,《典藏今藝術五月號》,典藏藝術,台北,第106頁
Signed in pinyin and dated on bottom right LITERATURE 2018, Artco Monthly May Issue, Artco Books, Taipei, p.106
展覽 2018年4月14日至5月13日,「黃金之國——黃宇興個展」,白石畫廊,台北 來源 台北白石畫廊 亞洲重要私人收藏 蒼穹下的生命探尋 黃宇興的人性史詩 「人不能踏進同一條河兩次。」 ——蘇格拉底 自2000年畢業於中央美術學院壁畫系至今,黃宇興從早期的具象人物表現,轉至將對象物作出幾何化的轉變,進而發展到現階段的抽象語彙,構成融合個人經歷的獨特探索。對於其線條、造型與鮮明的螢光用色,他曾說:「我慢慢地讓顏色加入到繪畫的工作中,儘量不用單純的、單一的黑色,我選擇了具有張力的題材表達我的情感,並以橢圓,就像漩渦、球體描繪人的活動,把具體形象刪除掉後,讓它加入到我自己繪畫的變革中。」在這脈絡下,其近年作品主題多通過這些標誌性的元素,來創造其觀念中的「時間」與「生命」。自2007年起,他曾於北京、上海、曼谷、東京、倫敦等地舉行個展,而自2021至2023年間,其作品在拍賣上履履刷新紀錄,2021年其作《七寶松圖》以逾六千萬港幣拍出,使他一舉成為現時最受關注的中國當代青年藝術家。 日光之下,暗流湧動 「在我畫的河裡,常出現明媚斑斕的漩渦,既是天空及岸邊景物的倒影,也反映內心感情的萬千變化;看它在畫面上時而打轉、時而停滯,就像對生命的一種依戀。背景是暗沉安靜的樹木,它經過了發芽、開花、結果後凋謝,象徵生命循環。」 ——黃宇興 在完成於2018年的《無政府主義者的一次漂流》中,黃宇興在構圖上以上半部垂直,下半部平行的空間來展開畫面,並以冷暖兩色塊區隔,呈現耐人尋味的視覺效果。上半部的「樹叢」在藍與紫的色域間遊走,藝術家以富透明感的壓克力彩為顏料,層層疊加,勾勒出如心電圖一般的線條,沖刷出色彩的嬗變。而左上方的一輪圓月形成生發的光源,對於這光,藝術家曾自白:「其實我想畫的是一個太陽……或者說,太陽或月亮其實關係都不大,就是一個氛圍裡的光亮物。」於是有了光。此光源在鱗次櫛比的灌木中探出頭來,亦在絢麗的色澤中,營造出超現實的神秘主義氛圍。 ?下半部的「河流」,由線條圓滑而結構感強烈的幾何結晶體繪成,既像被薄膜包覆的原始胚胎、不明生物,也若某種高度進化的未來機器、黑暗宇宙中的擁擠星體,抑或漫長光陰所孕育的寶石。藝術家在此選用象徵春天的綠、粉等螢光色彩,與「樹叢」的藍紫形成區隔,科幻的氛圍隱約指向另一個時空與某種異質的生命痕跡,散發對未知的探索、奧妙的氣息。在碎片化的色彩結晶體中,四個人形浮於水面,看似無目的漂流,實則由閉環的氣泡形包裹、保護。而螢光色彩所構成如萬花筒般的閃爍圖式,透出像是經過增強處理的數位影像色澤,激進地挑戰媒介的舊有體系與本質。藝術家以「有機」的概念,強調精神性的永恆,生命靜靜地在時間的長河中流淌,不經意間已成時間的載體與刻度。 生命長河的起點 在「河流」中流淌著的生物,在卵形如氣泡或母體中孕育的生命,同時展現一觸即破的脆弱,也包容了廣闊的生命。在孕生的水中自由呼吸,而其他碎片化的晶體在猶如母體內部的血管、骨骼與細胞之中,以微觀角度重現了在視覺以外的生命經驗,展現生命勃發的意象,黃宇興以生物學的角度建構眼前的視界,在一片混沌不安的母體環境中,人的意識已經逐漸形成——河流雖紛亂、繁雜,卻也默默滋養了生命,直至呱呱墜地,混沌中世界鬥轉星移,遙遠的樹叢猶如海市蜃樓般虛幻,唯有那日月的輪轉無比清晰,光亮映照生命的初曉。 小我與社會的衝撞 ?黃宇興將此作命名為《無政府主義者的一次漂流》。「無政府主義」發源自古希臘城邦時期,哲人埃斯庫羅斯(Aeschylus)率先提出此概念,強調群體與個人利益此強彼弱、互相牽制的微妙關係。與黃宇興此處狂野紛陳又自有秩序的巨型之作相對,或可視其為關於當代生活的另類史詩,亦可視作對高速運轉的科技、社會、以及人與人關係的揶揄與反思。歷史已演繹了數千年,在科技發達之時,這無政府主義思想所提出的質疑依然擲地有聲。黃宇興不外乎以具高度張力畫面提出對歷史的詰問。 「光芒」、「河流」、「氣泡」、「樹叢」……這些創作元素從2000年代初起,在黃宇興的創作中反復出現至今,成為其表達自我的重要載體。而《無政府主義者的一次漂流》則集以上經典元素於大成,完成後即發表於黃宇興同年在台北白石畫廊的首次個展,此作被選用為展覽邀請卡曝光,不啻為其巔峰代表作。在時間的長河上,孕育著他對生命源頭的追尋,在偌大的畫布中演譯一次沒有盡頭的漂流,在偶然與機緣中形成必然,穿越深淺重巒。而抬頭可見的,是那天上不滅的光明。
EXHIBITED 14 Apr – 13 May 2018, Kingdom of Gold – Huang Yuxing Solo Exhibition, Whitestone Gallery, Taipei PROVENANCE Whitestone Gallery, Taipei Important Private Collection, Asia The Discovery of Life Under the Dome The Humanity Epic of Huang Yuxing “No man ever steps in the same river twice.” ——Socrates As one of the?nowadays?most highlighted young artists in China, Huang Yuxing has made a significant transformation since his graduation from the Department of Mural Painting at the Central Academy of Fine Arts in 2000. After the?expression?of representational characters in his early stage, he then shifted his centre of creation from the geometrical conversion of objects to current abstract vocabulary, that achieved a unique discovery based on individual experience thus gave birth to the “time” and “life” concept in his perspective. Under the Sunlight, Flows Deep?Currents Completed in 2018,?A Drift of an Anarchist?adopts a vertical composition in the upper part and parallel space arrangement in the lower part to start the creation. The two parts are separated by warm-toned and cold-toned colour blocks which give an intriguing visual effect. The “bushes” in upper part wander between the blue and purple region and sketch the contours of an electrocardiogram with transparent acrylic paint. On the upper left corner, a light source given by the full moon leans out from rows and lines of bushes, rendering surreal mysticism aura with its' gorgeous colour. The “river” below is made up of geometric crystals with?smooth?curves, exhibiting a strong sense of structure. It can be?certain types of highly-evolved future machines, crowded stars in the dark universe, or jewels given birth by the ever-lasting ages. The artist divides this part from?the blue and purple?areas?of the “bushes”?by applying fluorescent green and pink colours that symbolize spring. The science-fiction atmosphere points vaguely at the trace of some idiosyncratic creatures in another time and space. Among the fragmented crystal of colours, four human figures are floating on water. Though aimless they may seem, they are enveloped and sheltered by encircled bubbles. While the flickering?kaleidoscope-like image that consists of fluorescent colours resembles colour-enhanced digital picture, who aggressively challenges the system and essence of media. The Origin of the Long River of Life Those creatures that are flowing in the “river”, those embryos that are bred inside the oval like a bubble or matrix, reveal their fragility as if they will break at one touch as well as embrace a wide variety of life forms. They breathe freely in the water where they were born. Other fragmented crystals are identical to the blood vessels, bones and cells in the matrix, which revive life experience beyond our vision from a micro perspective. In the environment of the matrix where is full of chaos, human consciousness is being formed slowly —— despite the disordering and complicity of the river, it nourishes life in her silence until human come into the world. In this pandemonium, time flies and far-away bushes are illusory as a mirage, while only the interchanging of the sun and the moon is luminous than ever, lightening up the dawn of life. The Collision of Individuality and Society This work was named as?A Drift of an Anarchist?by its' author?Huang Yuxing. “Anarchism” originated from Ancient Greece and was developed by a?philosopher?called Aeschylus. It emphasizes the subtle strong-weak relationship between the right of an individual and the profit of a community. Regarding this admirable work that is wild yet self-disciplined, it can be treated as an alien epic concerning contemporary life or the reflection towards nowadays' efficiently-operating technologies, society and interpersonal relationships. “Light”, “river”, “bubble”, “bushes”...... These creative elements have been adopted so repeatedly in Huang Yuxing's artworks since early 2000 that they have become critical media of his self-expression. As an artwork that has a complete collection of these classic elements,?A Drift of an Anarchist?is considered to be his prominent masterpiece and attended his first solo exhibition in Whitestone Gallery in Taipei in the same year of its' completion.

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