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傅饒 夏日 油彩 畫布 二〇一九年作 Fu Rao b.1978 Summer Days Oil on canvas Painted in 2019
香港
2023年10月08日 开拍
拍品描述
size:115 × 165 cm. 45 1/4 × 65 in.
款識 Fu Rao 2019(右下) 出版 2019年,《光年 傅饒》,安卓藝術股份有限公司,台北,第28至29頁
Signed in pinyin and dated on bottom right LITERATURE 2019, Infinitrace: Rao Fu, Mind Set Art Center, Taipei, p. 28-29
展覽 2019年7月12至9月22日,「光年:傅饒個展」,關渡美術館,台北 來源 台北安卓藝術中心 現亞洲私人藏家直接購自上述來源 附:台北安卓藝術中心開立之藝術家親簽作品證書 行者無疆,馳騁飛揚 傅饒跨越時空的藝術風景 「透出一道冷眼,向生向死。騎士,策馬向前!」這是愛爾蘭詩人葉慈(William Butler Yeats)刻在已身碑上的銘言。1978年生於北京、2001年旅居德國至今的藝術家傅饒,便如同行走在東西文化間的騎士,以自我獨特的跨文化經驗,和多年來自東西哲學、美學的豐富積澱,建立其奇幻多彩、氣韻盎然的一片藝術風景。 成長於科學之家、父親就職國家科學院的傅饒,並未如父母期待般子承父業,而是展現了對繪畫的濃厚興趣,自幼學習書法和國畫的他,於1999年考入清華美院。2001年,他毅然隻身赴德國著名的德勒斯登藝術學院求學,修習造型藝術與藝術心理。被稱為「藝術之城」的德勒斯登,誕生了巴塞利茲(Georg Baselitz)、彭克(A.R. Penck)、里希特(Gerhard Richter)等眾多藝術大師,更孕育了德國新表現主義流派,影響深廣。離開生活了23年的中國,傅饒在德潛心創作,至今已達22年。此特殊的經歷,令他同時具備東方和西方兩種文化根莖:傳統山水畫、東方書法給予他來自東方的養分,而在歐洲浪漫主義、德國哲學、新表現主義等多重文化薰陶下,他以廣闊的知識背景,提煉並創造出他在跨文化領域、多元空間的心境和對生命時光的深切思考。 2011年,傅饒的作品《海市蜃樓》被德勒斯登城市藝術博物館收藏,更與德國表現主義藝術家巴塞利茲、里希特等同台展出,此後他陸續於柏林、北京、盧森堡、台灣、紐約等地舉辦個展,受東西方藏家關注。2019年其作品《美人魚》獲盧森堡國家歷史藝術美術館收藏,2020年作品《傳奇》獲得薩克森州文化基金會創作獎。2022年,他並被「德國當代繪畫論壇」收納在最新梳理自1970年後最重要的當代德國繪畫史書中。而在隔年香港巴塞爾藝博會中,其個展「夜宴」引發廣大的關注及討論,持續擴張的藝術影響力如同馳騁於東西方藝術土壤的騎士身影,在富創新力的斑斕視野中,震撼著每一位觀者! 畫中之畫,鮮妍的幻世之瞳 「存在這些畫中的物與像,總有些特定的象徵,它們既隨心所欲,也真實存在,包含了人與物的輕盈自由,也承載了歷史與情感的厚重。也許在跨越了兩種不同的文化環境之後,更使我的根莖深植於生命本身,而跳脫了對地域性經驗探索的渴望,也讓我投入到更為廣泛的人類共性的探求。」 ——傅饒 彷彿是以藝術家的幻彩之瞳觀世、畫世,在是次呈現的《夏日》中,傅饒由自然之境,融入浪漫主義的神話色彩和表現主義的精神指引,創造出一處如夢境般的奇幻之地。相較於傳統的駿馬騎手,畫中的主角正頗具當代感地駕駛機動電車,馳行於森林彎道之上。紫羅蘭的天空尚餘淺紅霞光,翠綠的樹蔭已浸染深濃夜色,歸程的道路為米黃的光暈照亮,而在那道路的兩側,一棟棟方塊小屋已漸露家園的溫馨。在光與影的繽紛交織,及冷暖對比色的合奏下,上演著黃昏時分的浪漫旋律。伴隨線條和輪廓的紛然流動,斑斕炫彩隨之飛馳、流轉,脫離現實般遊走在想象和夢境的世界。而在此之上,藝術家並以罕見的「畫中畫」形式作出精妙表達,塑造層層的空間張力,引導著視線向中心聚焦:頭戴牛仔帽的男子正驅車前行,掛於車把之上的購物袋,呈現出貼合生活的現實意味,而與之形成對比的,則是後座白髮飛揚的女子,正手持一幅風景油畫,畫中樹影婆娑,小徑悠長,正影射著主人公的現時之路。林木蔥茸,將畫裡、畫外連通一體,由此串聯著其對人文、歷史的時空思索。 而以「畫中畫」構成裡外空間呼應的巧思,傅饒更意在將古典藝術對純風景的追求,與其當代創作中融合人物、敘事的表述進行比較,藉此暗示藝術本身對人文的重要意義和影響。他在此刻意在兩者間以藝術形式的表達作出區分。在那道無人的風景中,兩旁的樹林劃分出天空倒三角狀的空白,蜿蜒的道路居於畫中核心,正展現巴比松畫派藝術家的經典構圖,而隨風飄揚的樹枝,帶著塞尚筆下聖維克多山前的冷杉,恣意而昂揚地伸展。結合印象派的風範,傅饒在其中並以充滿東方寫意感的線條,創造著生命的旺盛形態,而那素雅的淺棕賦色,正道出一份優雅的古典韻味,由此作出對傳統的致敬。而回到《夏日》中那孟克(Edvard Munch)般的瑰麗時空,是滲透在自然中、以畫家之眼所窺見的超現實炫彩,更是浪漫主義對天地的嚮往,亦是基於現實而返還出的一份人情之味。在其中詩意棲居的人們,在日復一日的尋常生活之外,寄託著對於藝術本身的熱愛。而這份熱愛,便足以道盡生命與藝術間無可分割的至真意義。 精神篤行,生命的理想之境 除此之外,《夏日》亦令人聯想到德國十九世紀浪漫主義名家弗雷德里希(Casper Friedrich)《凝望月亮的兩人》中,穿過樹林、帶著使命感、走向自然的神秘畫境。然而,以步行探索的時代已成為過往,如今的畫中人,帶著昔日的輝煌與今日的想象,正以全新的力量繼續行駛在自然之中。無論是白髮女子那頗具神話色彩的超然形象,還是男子如騎士般的精神面貌,畫中繽紛的人物特點融並了古典與當代、現實與想象,在新穎熱烈的彩筆中,綻放出生命面對自然、宇宙的達觀。如同浪漫主義所形容的「森林的獨行者」(Waldeinsamkeit),他們以靈魂對話自然、對話時空,尋求內在信仰的源泉。也正如小說家阮慶岳所言,「那是一種全然從自我出發、以期能夠直接面對真實的生命宇宙,同時也是帶著激情與詩意的孤獨行旅,終點則是自我完成與物我終於合一的理想境地。」作為現代之人的傅饒,他以此刻的文明眺望古今,將不變的理想,寄寓於變化之上。藝術之美,在於創造,在於人為的力量。當我們層層深入,尋幽探微,便終會看到那策馬奔騰時的絢麗風景!
EXHIBITED 12 Jul – 22 Sep 2019, Infinitrace: Rao Fu Solo Exhibition, Kuandu Museum of Fine Arts, Taipei PROVENANCE Mind Set Art Center, Taipei Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by Taipei Mind Set Art Center and signed by the artist Galloping without Boundaries Fu Rao's Artistic Landscape across Time and Space Fu Rao entered Tsinghua Academy of Fine Arts in 1999 and went to Germany in 2001 to study at the famous Dresden Academy of Art, where he studied plastic art and art psychology. Leaving China, where he had lived for 23 years, Fu Rao deliciated himself to creating art in Germany for the past 22 years. This unique experience has endowed him with both Eastern and Western cultural roots: the traditional landscape painting and calligraphy nourish his oriental heritage, while the multi-cultural influences of European romanticism, German philosophy, and neo-expressionism have broadened his knowledge and inspired him to create a transcultural and multi-dimensional perspective on life and the passage of time. In 2011, Fu Rao's Mirage was collected by the Staatliche Kunstsammlungen Dresden (SKD) and exhibited with German expressionist artists such as Georg Baselitz and Gerhard Richter. Since then, he has held solo exhibitions in Berlin, Beijing, Luxembourg, Taiwan and New York, attracting the attention of collectors from both the East and West. In 2022, he was included in the latest book on contemporary Germany painting history since 1970 by the German Contemporary Painting Forum. In 2023 Hong Kong Art Basel, his solo exhibition Night Feast garnered widespread attention and discussions. With its innovative and colourful vision, it mesmerized every viewer! The Enchanting Gaze of a Vibrant Fantasy World In the artwork Summer Days, Fu Rao incorporates elements of romantic mythology and the spirit of expressionism, blending them with the natural setting to create a fantastical realm. Unlike traditional equestrians, the protagonist in the painting is driving a motor vehicle through the winding forest path, giving it a contemporary feel. The sky is still adorned with a light crimson glow, while the lush green shadows are engulfed by the deepening night. The road back home is illuminated by a soft yellow halo, and on either side of the road, a cluster of square cottages begin to reveal the warmth of a home. The interplay of light and shadow, warm and cool colours, creates a fluidity in the lines and contours, with vibrant colours racing through, detaching from reality and wandering in the world of imagination and dreams. Moreover, the artist employs a rare technique of “picture in picture” to create a subtle expression, forming layers of spatial tension. The man wearing a cowboy hat is driving forward, and the shopping bag hanging on the handlebars of his car shows the realistic aspects of life. In contrast, the woman in the backseat with white hair is holding a landscape oil painting, that depicts a path with swaying tree shadows, reflecting the protagonist's current journey. Here he deliberately makes a distinction between the two. In the uninhabited landscape of the painting, the trees on both sides divide the sky into an inverted triangle-shaped blank space, with the winding road at the centre, showcasing the classic composition of the Barbizon School. The branches swaying in the wind, reminiscent of the fir trees in front of Mont Sainte-Victoire in Cézanne's brushstrokes, stretch freely and exuberantly. Fu Rao uses expressive lines with an oriental touch to create a vibrant form of life, while the elegant light brown hues convey a sense of classical charm, paying homage to tradition. The clever use of “picture in picture” creates a dialogue between the interior and exterior spaces, suggesting a comparison between the pursuit of pure landscape in classical art and the incorporation of characters and narratives in contemporary creations, thus implying the important significance and influence of art on humanity. The contemporary and surrealistic brilliance in Summer Days not only permeates through nature, seen through the artist's eyes, but is also based on reality, reflecting a sense of human sentiment. The people who reside in this poetic world, beyond their everyday lives, hold a deep love for art. And this love is enough to capture the inseparable and genuine connection between life and art. The Ideal State of Life In addition, Summer Days is also reminiscent of a 19th century German Romanticism artist Casper Friedrich. In his painting Two Men Contemplating the Moon, where he walks through the woods with a sense of mission and a mysterious journey towards nature. However, the era of exploring on foot has become a thing of the past and the people in the painting now continue to march through nature with a new force, bringing with them the glory of the past and the imagination of today. Whether it is the mythical and transcendent image of the white-haired woman or the knight-like spirit of the man, the colourful characters in the painting blend classical and contemporary, reality and imagination, and in the fresh and passionate colourful brushwork, they exude the optimism of life facing nature and the universe. Like the “Waldeinsamkeit” of Romanticism, they use their souls to dialogue with nature and time and space, to seek the source of inner faith, and to complete the ideal state of ultimate unity with the physical self. When we go deeper and deeper, we will finally see the splendid scenery with the galloping horses!

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拍品估价:160,000 - 250,000 港币 起拍价格:160,000 港币  买家佣金:
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