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熊秉明 大肚牛 銅雕 版數:2/8 一九六二年至一九九七年作 Hsiung Ping-Ming 1922-2002 A Cow with a Big Belly Bronze Sculpture Edition: 2/8 Executed in 1962 – 1997
香港
2023年10月08日 开拍
拍品描述
size:30 × 66 × 30 cm. 11 3/4 × 26 × 11 3/4 in.
款識 PING MING 2/8 Landowski fondeur鑄造廠鈐印 1998(底部) 出版(另一版數) 1999年,《遠行與回歸——熊秉明的藝術》,國立歷史博物館,台北,第37頁 1999年,《中國當代藝術選集(6):熊秉明》,山美術館,高雄,第52至53頁 2014年,《來自巴黎的微風》,誠品畫廊,台北,第163頁
Incised with artist's signature in English, numbered, credited and dated on the underside LITERATURE (different editions) 1999, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, The National Museum of History, Taipei, p. 37 1999, Contemporary Chinese Art Collection 6: Hsiung Ping-Ming, Mountain Art Museum, Kaohsiung, p. 52-53 2014, Breeze from Paris, Eslite Gallery, Taipei, p.163
展覽(另一版數) 1999年5月7日至27日,「熊秉明的藝術——遠行與回歸」,中國美術館,北京 1999年6月10日至20日,「熊秉明的藝術——遠行與回歸」,上海美術館,上海 1999年7月24日至8月8日,「熊秉明的藝術——遠行與回歸」,昆明市博物館,昆明 1999年10月15日至11月7日,「熊秉明的藝術——遠行與回歸」,國立歷史博物館,台北 2000年1月8日至3月12日,「熊秉明的藝術——遠行與回歸」,山美術館,高雄 2022年4月15日至5月11日,「塑者歸來——熊秉明藝術回顧展」,中國美術館,北京 來源 山藝術文教基金會收藏 2013年4月6日,香港蘇富比春季拍賣會,拍品編號639 現亞洲私人藏家直接購自上述來源 附:高雄上聯藝術股份有限公司開立之作品證書 註:此作創於1962至1997年,後於1998年由Landowski fondeur鑄造廠翻鑄 大肚能容天下事,胸壑內含宇宙乾坤 熊秉明人生哲學的重要表徵:《大肚牛》 「熊先生以面與面構成的脊成為抽象表達,建立雄深而厚重的體,直達精神之源,他借助自然滄桑變忽的山體與河流,及其裂變與重構的張力以塑造形體,這一切統一於對宇宙哲理、人文情懷的關注,這是熊先生對雕塑語言發展的獨特貢獻。」 ——中國美術館館長吳為山 旅居法國50年的熊秉明,是集雕塑、詩文、書法諸藝術表現於一身的大家。1922年,他生於南京書香門第,自小即展現藝術天分,曾從齊白石、徐悲鴻等前輩不懈討教,被親切地稱為「小畏友」。1939年自西南聯合大學哲學系畢業後,他以公費生身分赴巴黎大學哲學系深造。1948年,他造訪雕塑家紀蒙(Marcel Gimond)工作室並深受其作震撼,感嘆道:「我感覺到哲學的終極追求和雕刻的終極追求是相通的。我決定要去學雕刻了」,即毅然決然投入學習雕塑。此後其作屢發表於法國各大藝術沙龍,並於1952年斬獲法國春季沙龍「藝術家之友」獎、1983年獲法國教育部棕櫚騎士勳章、1984年被法國教育部任命為終身教授、2001年被授予南京大學名譽教授。突顯了他備受認可的藝術地位。 熊秉明雖長期浸潤在西方藝術環境中,並受諸如羅丹(Auguste Rodin)等大師啟迪,但骨子裡仍有著濃厚的中國傳統文化底蘊,精通書法及中國哲學、佛學。自1960年代開啟的「水牛系列」即為其以西方造型表現東方美學的代表性創作。是次上拍的銅雕《大肚牛》創作於1962至1997年,歷時30餘載,潛心提煉牛之精神及外形。作品不僅曾展出於熊秉明回顧展,另一版數亦為北京中國美術館所藏,可謂他畢生藝術成就的重要代表。 虛懷若谷似彌勒,方正大氣天地間 《大肚牛》一作有著含蓄溫潤、堅毅容忍的「佛性」。它堅實的四蹄矗立於大地,不卑不亢地昂著頭,像是精神抖擻地向天而歌。抽象的「方正」身形以誇張的比例放大,好像彌勒佛之姿,「大肚能容,容天容地,於己何所不容」,也正呼應了熊秉明祖籍雲南彌勒縣的地名,以造型達意傳情。而牛體上遍佈捏塑的嶙峋痕跡,如同故鄉那充滿溫度及耕植的土痕,具雄渾的體量,一如中央美院院長范迪安所稱讚的:「既有西方雕塑的凝重、飽滿,也有中國藝術傳統大方、剛毅、宏闊的『雕塑感』」。大肚牛好似一位寬容而謙遜、博學而廣識、卻甘為蒼生奉獻的君子,是上世紀中國有識之士的縮影。 如熊氏自言,這些創作時間長達幾十年的雕塑「都不是為了生計製作的,放在工作室的一角,不時取出修改打磨,讓造型漸漸接近觀念」。這是一種「苦行僧」一般的修煉,反映於作品上千錘百煉的痕跡。《大肚牛》記錄了長達30餘年的創作光陰,不但是歷史的證明,亦是藝術家人生輝煌成就的綜論。歷經戰爭、羈旅海外半個多世紀,熊秉明所歷經的孤苦艱辛自不必言說,但他並未怨天尤人,而是默默以「大肚牛」的精神,海納百家思想,定心投入創作。此作濃縮了其畢生堅守的人生哲學和強烈的藝術熱忱,刀削斧鑿的造型醞釀出跨越時代的思想沉澱,令人感佩。
EXHIBITED (different editions) 7 – 27 May 1999, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, The National Art Museum of China, Beijing 10 – 20 Jun 1999, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, Shanghai Art Museum, Shanghai 24 Jul – 8 Aug 1999, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, Kunming City Museum, Kunming 15 Oct – 7 Nov 1999, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, National Museum of History, Taipei 8 Jan – 12 Mar 2000, An Odyssey Abroad and Back – Hsiung Ping-Ming's Art, Mountain Art Museum, Kaohsiung 15 Apr – 11 May 2022, The Returning Sculpture – Retrospective Exhibition of Hsiung Ping-Ming, The National Art Museum of China, Beijing PROVENANCE Collection of Mountain Art Foundation 6 Apr 2013, Sotheby's Hong Kong Spring Auction, Lot 639 Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by High Union Art Co., Ltd., Kaohsiung Note: this work was executed in 1962 – 1997 and cast in bronze in 1998 A Big Belly to Tolerate the World, a Broad Chest to Encompass the Universe A Critical Presentation of Hsiung Ping-Ming's Philosophy of Life: a Cow with a Big Belly Hsiung Ping-Ming, who lived in France for 50 years, was a master of sculpture, poetry, and calligraphy. He was born into a literatus family in 1933 in Nanjing and showed a talent in art from an early age. After graduating from the Department of Philosophy at Southwestern Union University in 1939, he went on to study in the Department of Philosophy in the University of Paris on a public scholarship. In 1948, he was profoundly impressed by the work of Marcel Gimond, having visited his studio, and was determined to switch to studying sculpture. Since then, his works have been repeatedly shown in the major art salons in France, winning him the bronze medal of Le Salon des Artistes Fran?ais in 1952. He received the Chevalier dans l'ordre des Palmes académiques from the French Ministry of Education in 1983 and became a tenured professor in 1984. In 2001, he was offered the title of Honorary Professor by Nanjing University. Although long immersed in the Western art milieu and inspired by masters such as Auguste Rodin, Hsiung Ping-Ming maintained his lineage of traditional Chinese culture, and was a master in calligraphy, Chinese philosophy, and Buddhism. His Cow series that began in the 1960s is a signature expression of Eastern aesthetics using Western forms. This bronze sculpture in the autumn auction, A Cow with a Big Belly, took more than three decades to make during the years between 1962 and 1997, as the artists worked to polish the spirit and form of the cow. The work was not only showed in the retrospective exhibition of the artist, but, seen as an important work of his career, another version of it also entered the collection of National Art Museum of China in Beijing. With Maitreya's Modest and Open Mind, Standing Upright between Heaven and Earth A Cow with a Big Belly is a work that embodies Buddha-nature – retrained and gentle, persevering and accommodating. With four hooves standing firmly on the ground and head raisind in a way that is neither servile nor?overbearing, the cow seems to be singing a spirited song to the sky. Its squared body is enlarged in exaggerated proportions so that it almost bears the form of Buddha himself, which echoes the name of Hsiung Ping-Ming's ancestral hometown, Mile (Maitreya Buddha) County in Yunnan Province. Furthermore, the bony and overall rugged torso of the cow, while being robust and voluminous, bears the marks of the artist's sculpting hands and is reminiscent of how the soil in his hometown is filled with warmth and signs of cultivation. Like a tolerant, humble, and knowledgeable gentleman who is willing to devote himself to the greater mankind, the big-belly cow is the epitome of the twentieth-century literati of China. A Cow with a Big Belly documents three decades of artmaking. Not only is it a historical proof, but also a comprehensive view of artistic achievement. It is imaginable how much solitude and hardship Hsiung Ping-Ming has felt having experienced more than half a century of warfare and living overseas, but he neither complained nor showed grievance. Instead, he absorbed various schools of thought and injected into his art the spirit of the big-belly cow. The sculpture is a condensation of a life-long pursuit of his philosophy of life and fervor for art, and its chiseled and knifed form shows the concentration of his thoughts that transcend time.

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