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細川真希 閨中密友湯罐 壓克力彩 畫布 二〇二一年作 Maki Hosokawa b.1980 Campbell's Girl's Mate Soup Acrylic on canvas Painted in 2021
香港
2023年10月08日 开拍
拍品描述
size:116.7 x 91 cm. 46 × 35 7/8 in.
款識 No.2117 棕色康寶 閨中密友湯罐 2021 Maki(畫背) 出版 2021年,《細川真希作品集2021》,地窖畫廊,東京,第17頁
Titled in Japanese, signed in English, numbered and dated on the reverse LITERATURE 2021, Maki Hosokawa Art Works 2021, Gallery Cellar, Tokyo, p.17
展覽 2022年1月25日至2月10日,「細川真希」,地窖畫廊,東京 來源 東京地窖畫廊 亞洲私人收藏 閃亮人生永不設限 細川真希筆下的百變女孩 2023年夏季火紅的電影《芭比》再一次將「女性力量」的議題提出,劇中「芭比不只是一位醫生,也是一名律師,以及很多很多身份」的台詞呼籲打破職場性別藩籬,引發許多共鳴。隨著21世紀女性意識的進一步覺醒,愈來愈多的女性勇敢發光,而日本80後藝術家細川真希即為其中一位,她以日本卡漫的極簡線條和多彩的平塗上色,畫出獨具代表性的「大眼女孩」和她們絢爛的世界。女孩們有時化身愛麗絲夢遊仙境,有時穿梭於達文西(Leonardo da Vinci)《最後的晚餐》、日本江戶名家土佐光起的《源氏物語》等名作,帶來全新的想象。 2004年,年僅24歲的細川在村上隆主辦的GENSAI藝術祭上以新人身份獲得銅獎,一鳴驚人。近年來,她於東京、首爾等地舉辦個展,備受藏家喜愛,其作並為紐約重要藏家皮戈齊(Pigozzi)收藏。2021年,細川真希援引普普藝術大師沃荷(Andy Warhol)著名的《康寶湯罐頭》,創作了一系列以「大眼女孩」為主角的作品,以活潑的卡漫風格展露細膩卻堅韌的女性能量。是次的《閨中密友湯罐》即為其中經典。 鮮艷的碩大橙色湯罐出現在作品中心,其上飄著朵朵白雲,罐上商標別出心裁地以藍色撞色繪出,明媚活潑。湯罐周身背景被劃分為帶波點的方格,展現8位閨蜜女孩。她們既可以是穿制服的女學生、著粉紅紗裙的芭蕾舞者、文青風格的花店老闆、風度翩翩的侍應生、優雅的小提琴演奏家,還可以是帥氣的女警、淵博的醫生、梳著個性爆炸頭的科學家等,彷若具多重身份的芭比,展現女力的無限可能,在各領域叱咤風雲。而罐頭中心則是金髮女孩和小貓洗漱、安睡的場景,配上以英文書寫「女孩可以良好平衡」的詞語,若言說主人公有能力平衡工作和私人時間,得到全面發展。罐上以紅字寫出諸多女子姓名,如同藝術家自設的「名人堂」,將日常生活中獨一無二的女性細緻地銘刻,做自我的「無價之寶」。細川真希以天真爛漫的大眼女孩閨蜜團畫出不設限的人生,鼓勵女性大膽活出自我風采,俏皮而暖心。
EXHIBITED 25 Jan – 10 Feb 2022, Maki Hosokawa, Gallery Cellar, Tokyo PROVENANCE Gallery Cellar, Tokyo Private Collection, Asia A Life of Sparkle Has No Limits Maki Hosokawa's Girl of Variety In the summer of 2023, the hit film Barbie once again raised the topic of “women's power” and called for breaking down gender barriers in the workplace, which resonated with us. As the 21st century witnesses the further awakening of women's consciousness, more and more women are taking the plunge, and one of them is the post-80s Japanese artist Maki Hosokawa. She uses the minimalist lines of Japanese cartooning and flat colours to create her iconic “girls with big eyes”, who are drawn in the scenes of Leonardo da Vinci's The Last Supper, or Kouki Tsuchiza's The Tale of Genji, to bring forth a whole new imagination. In 2004, at the age of 24, she won the Bronze Prize as a newcomer at GENSAI organised by Takashi Murakami. In recent years, she has held solo exhibitions in Tokyo and Seoul, and has become a favourite among collectors. Her works are also collected by the important New York collector Pigozzi. 2021, Maki Hosokawa created a series of works featuring “big-eyed girls”, citing Pop Art master Warhol's Campbell's Soup Cans, of which Campbell's Girl's Mate Soup is one of the most iconic. The bright orange soup can appears in the centre of the work, with white clouds floating above it, and the logo on the can is painted in clashing blue colours. The background of the soup can is divided into polka dot squares, showing eight girls who are best friends. They can be schoolgirls, ballet dancers, florists, waitresses, violinists, policewomen, doctors, scientists with bangs, etc. They are like Barbie with multiple identities, demonstrating the infinite possibilities of female power and making a name for themselves in various fields. In the centre of the can is a scene of a blonde girl and a kitten washing up and sleeping peacefully, with the words “Girl's mate balanced good” written in English, suggesting that the protagonist has the ability to balance her work and private time, and to achieve all-round development. The names of the women are written in red on the canisters, like an artist's own hall of fame, inscribing the unique women of everyday life as priceless treasures of the self.

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