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山田航平 波西米亞人(黃色) 壓克力彩 畫布 二〇二三年作 Kohei Yamada b. 1990 La Boheme (Yellow) Acrylic on canvas Painted in 2023
香港
2023年10月08日 开拍
拍品描述
size:100 x 80.3 cm. 39 3/8 × 31 5/8 in.
款識 波西米亞人(黃色)2023年 山田航平 La Boheme (Yellow) 2023.5.26 Kohei Yamada(畫背)
Titled and signed in Kanji and English, and dated on the reverse
來源 亞洲私人收藏 註:畫背貼有東京Fuma Contemporary Tokyo Bunkyo Art 畫廊之標籤 心懷理想,向陽而行 山田航平致敬梵高之作 「這幅畫是對梵高(Vincent van Gogh)的敬意,我的目標是結合梵高的堅韌不拔和像沃荷那樣的平面性來創作。」 ——山田航平 對日本90後藝術家山田航平而言,漫長而充滿閃耀明星的藝術史是值得以新視角重新審視及挖掘的寶藏。自2016年畢業於廣島城市大學藝術學院後,山田即開始創作一個個站在畫面中心、具完美對稱的「女孩」。他從藝術史經典、電影和當代流行文化中汲取靈感,將名作的代表性元素轉化為其筆下主角的衣著、背景符碼。在創作前他會先縝密地以彩色鉛筆繪下腦中的各色思考,定稿後,再轉於畫布上以流暢細緻的線條及反覆多重平塗上色畫出明快亮麗的全作。如今「女孩」已成為他的招牌,作品接連展陳於東京、大阪、香港、北京、上海等地,獲藏家追捧,而今年八月他亦受知名潮流品牌Converse邀請跨界設計衣服、鞋品。是次在香港拍埸首呈現的《波西米亞人(黃色)》,即為其膾炙人口的「女孩」主題代表,體現他鬼馬精靈的奇思妙想及高超化想像為現實的實踐功力。 重塑經典,心懷願景 「波西米亞」自19世紀以來意味自外於傳統社會、不受傳統束縛的藝術家,言簡意賅地展現山田對梵高的高度評價。在此畫幅金黃色的背景上,象徵梵高的向日葵以普普藝術之父沃荷重複排列湯罐頭的形式般構成一個陽光燦爛的花園。一位具翠綠明眸、面龐泛粉的女孩站在中央望向觀者。她胸前衣著的圖案是梵高著名的作品——如火焰般充滿生命力的《絲柏樹》,而毛衣上以紅棕色的條紋模擬了梵高筆下樹木的質感,使其筆觸感延伸,別出心裁地加強了女孩和其所致敬的梵高作品的聯繫。女孩淺藍色的頭髮上和深藍牛仔褲上,絢爛的藍色、橙色、黃色彩點則讓人聯想起梵高《星夜》中流淌的夜空,包裹著一顆又一顆閃亮的星星,璀璨非常。 除了對於梵高作品的援引,此作暗含其他有趣的細節,如女孩持的手槍上,題寫著「Of Human?Bondage」,與上世紀30年代電影《人性枷鎖》同名,據藝術家自言,他將此電影主角為情所困而輕生的遭遇影射梵高多舛的一世傳奇。而被握在手中的槍,象徵奪回的主動權,意味人們具抵禦困難、掌握命運的可能性,堅韌又充滿鬥志。而女孩褲子上的粉紅色美元和金色王冠標誌來源於沃荷,代表地位和金錢,呼應沃荷名言:「賺錢是一種藝術」。藉由此畫,山田航平不外乎激勵著自身與看畫的觀者,要有如梵高般的熱情,對困難充滿堅韌與鬥志,迎向未來,做自我的王者。
PROVENANCE Private Collection, Asia Note: A label of Fuma Contemporary Tokyo Bunkyo Art, Tokyo is affixed on the reverse Dreams as Our North Star, Marching Toward the Radiant Path Kohei Yamada: Homage to Vincent Van Gogh “This painting is a tribute to Van Gogh. I am aiming for a work that combines the earnestness and persistence like Van Gogh and the frivolity like Andy Warhol.” ——Kohei Yamada For the Japanese artist Kohei Yamada, born in the 1990s, the long and dazzling history of art is not an unreachable mountain, but a treasure worth examining and exploring from a new perspective. Since graduating from Hiroshima City University's School of Art in 2016, Yamada has been creating “Girls” that embody perfect symmetry, simplicity, yet complexity. Drawing inspiration from art history classics films, and contemporary pop culture, he transforms iconic elements into the attire and background design codes of his protagonists. Today, “Girls” have become his signature, with his works exhibited consecutively in Tokyo, Osaka, Hong Kong, Beijing, Shanghai, and sought after by numerous collectors. In August of this year, he was invited by the renowned fashion brand Converse to collaborate on clothing and footwear designs. The artwork in the Hong Kong aution, La Boheme (Yellow) represents his renowned “Girls” theme, showcasing his mischievous and imaginative whimsy, combined with his remarkable ability to turn ideas into reality. Reviving the Classics, Embracing a Vision The term “Bohemian” has represented artists who exist outside traditional society and are not bound by its conventions since the 19th century. On the golden background of this painting, sunflowers symbolizing Van Gogh are arranged in the form of Pop Art inspired manner, akin to Andy Warhol's repeated soup cans, forming a radiant garden. A girl with emerald eyes, a rosy complexion, and a face full of powder stands in the centre, gazing at the viewer. The pattern on her attire depicts Van Gogh's renowned work, the vibrant and lifelike Cypresses. The sweater's reddish-brown stripes simulate the texture of trees in Van Gogh's brushstrokes, creatively strengthening the connection between the girl and the revered works of Van Gogh. The girl's light blue hair and deep blue jeans are adorned with dazzling blue, orange, and yellow dots, reminiscent of the flowing night sky in Van Gogh's Starry Night, enveloping numerous shimmering stars, creating a resplendent scene. In addition to the references to Van Gogh's works, this piece subtly incorporates other intriguing details. For instance, the gun held by the girl bears the inscription “Of Human Bondage,” the same title as the 1930s film, which the artist thinks the protagonist's suicide is similar to Van Gogh's tumultuous life and tragic ending. The gun held in her hand symbolizes reclaiming agency, signifying the possibility for individuals to resist adversity and seize control of their own destiny with resilience and determination. The pink dollar signs and golden crown emblem on the girl's pants derive from Warhol, representing status and wealth, echoing Warhol's famous quote, “Making money is art.” Through this artwork, Kohei Yamada ultimately seeks to inspire himself and the viewers to embrace the passion of Van Gogh, exhibit resilience and determination in the face of challenges, and approach the future as sovereigns of their own selves.

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