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羅工柳 水庫 油彩 畫板 一九六二年作 Luo Gongliu 1916-2004 Reservoir Oil on board Painted in 1962
香港
2023年10月08日 开拍
拍品描述
size:70 × 50 cm. 27 1/2 × 19 3/4 in.
款識 工柳 六二年(右下)
Signed and dated in Chinese on bottom right
來源 原亞洲私人藏家直接購自藝術家本人 2020年10月8日,中國嘉德香港秋季拍賣會,拍品編號124 現亞洲私人藏家直接購自上述來源 附:台灣亞太國際藝術中心開立之作品證書 融匯中西,抱誠守真 羅工柳以詩意開闢新路 「羅工柳從寫實逐步傾向寫意、大寫意,因主掌著他藝術的是情感,是情,是意。他追求畫中詩。」 ——吳冠中 1936年,羅工柳以第一名的成績考取國立杭州藝專,受教於方幹民、吳大羽;1953年,進取的他被延攬任中央美術學院繪畫系主任,被譽為「央美奠基人」之一;而在1955至1958年,他赴蘇聯列賓美術學院專修油畫,奠定了紮實獨到的油畫基礎。回國後的1958至1976年,他主張「中國油畫要走自己的路」,融合此前數十年對中外藝術的鑽研,匯聚大成,對當時中國流行的蘇式油畫提出「繁、滿、實、摳、膩、死、板」的批評,主張從傳統寫意國畫中汲取養分,首先提出「寫意油畫」的概念,獲油畫界有識之士的呼應,創作於此時期的《水庫》即為重要代表。 作為深入民眾生活、主張以寫生滋養創作的羅工柳,其作在人像和風景畫兩大主題上均具高深造詣,正如中央美術學院院長范迪安所說:「羅工柳先生是20世紀中國美術發展中的一座的高峰」。上世紀五十年代初,他即表現出對風景主題的極大興趣,接連不斷地赴麥積山、新疆、敦煌等地探訪名山大川、歷史古跡。1962年夏,他作為中國藝術家代表出訪羅馬尼亞、捷克、波蘭和蘇聯等地,《水庫》即為其此行中,經典寫意油畫風格之代表作。畫背印有裝裱公司之俄文印章,記錄了時代的軌跡。 《水庫》一作中,飛流直下的瀑布自豆綠色的水庫上端湧下,又戲劇性地在中段擊壩而上,磅礡大氣地噴湧、濺射、呈現一幅「千古長如白練飛」的壯闊圖景,宛如中國古代山水畫走入當代情境。在以「白」為主色的水流中,藝術家以細膩的色彩示現出不同濃淡的變換:水瀑的頂峰如同輕盈的薄紗,透出背後的藍天,又折射出五彩繽紛的水珠;中段愈發變得乳白豐盈,以藍灰色和亮白色的線條展現一束束水流深淺的變化;下端又逐漸通透,露出依稀可見的朦朧樹影。湛藍的天空中,柔軟如同綿綿細浪的浮雲層層暈染開來,像水墨畫中意蘊高遠的雲氣。而在上下的通行道中,只見身著彩衣的行人,有的憑欄歇息、有的駐足望瀑、有的靜看雲卷雲舒,與水庫的壯麗飛瀑融為一體、怡然自得,儼然一副詩情畫意的優美圖卷。羅工柳為巧奪天工的人工盛景所震撼,將國畫中寫意的婉轉柔情,注入油畫的探索之中,開闢一條全新的康莊大道!
PROVENANCE Acquired directly by original private Asian collector from the artist 8 Oct 2020, China Guardian Hong Kong Autumn Auction, Lot 124 Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by ARZ international Corporation, Taiwan Integration of Chinese and Western, with Sincerity and Honesty Luo Gongliu Blazes a New Trail with Poetic Inspiration In 1936, Luo Gongliu was admitted to the National Hangzhou Art College with the top score. He was taught by Fang Ganmin and Wu Dayu. In 1953, he was appointed as the director of the Painting Department of the Central Academy of Fine Arts and was hailed as one of the founders of the academy. From 1955 to 1958, he went to the Soviet Union to study oil painting at the Repin Institute of Fine Arts, establishing a solid foundation in oil painting. Upon returning to China, from 1958 to 1976, he combined decades of research on Chinese and foreign art, proposing criticism of the popular Soviet- style oil painting in China at the time. He advocated for drawing nourishment from traditional Chinese painting techniques and proposed the concept of "freehand oil painting." This idea was echoed by the oil painting community, and his work Reservoir from this period is an important representation of this style. As an artist who delved into people's lives and advocated nourishing creativity through life drawing, Luo Gongliu had profound achievements in both portrait and landscape painting. In the early 1950s, he showed great interest in landscape themes and continuously visited famous mountains, rivers, and historical sites such as Maijishan, Xinjiang, and Dunhuang. In the summer of 1962, he visited Romania, Czechoslovakia, Poland, and the Soviet Union as a representative of Chinese artists. Reservoir is a representative work of his classic freehand oil painting style during this trip. The back of the painting was stamped with a Russian seal from the framing company, recording the traces of the times. In the painting Reservoir, the cascading waterfalls flow down from the green reservoir, and dramatically crash against the middle section, surging and splashing, as if ancient Chinese landscape paintings have entred contemporary settings. In the predominantly "white" water flow, the artist uses delicate colours to show the various shades and changes: the peak of the waterfall resembles a light veil, revealing the blue sky behind and reflecting colourful water droplets. The middle section becomes milkier and more abundant, showing changes in depth with blue-grey and bright white lines. The lower section gradually becomes transparent, revealing faint tree shadows. In the deep blue sky, soft and layered floating clouds blend together, like the lofty and distant atmosphere of ink paintings. In the pathways above and below, only figures dressed in colourful clothes can be seen, some leaning on railings, some stopping to admire the waterfall, and some gazing at the rolling clouds. In the passageways above and below, people dressed in colourful clothes, resting on the railings, gazing at the waterfall, or watching the clouds roll by. They merge harmoniously with the majestic waterfall of the reservoir, enjoying themselves contentedly, creating a beautiful scene that is like a poetic and picturesque scroll.

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