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李強 玉蘭2015 No.3 油彩 畫布 二〇一五年作 Li Qiang b.1962 Magnolia 2015 No.3 Oil on canvas Painted in 2015
香港
2023年10月08日 开拍
拍品描述
size:120 × 140 cm. 47 1/4 × 55 1/8 in.
款識 2015李強(右下);李強2015 2015 No. 3 (畫背)
Signed in Chinese and dated on bottom right; signed in Chinese, dated and titled on the reverse
來源 亞洲私人收藏 你是人間四月天 李強的玉蘭頌 李強與何多苓、張曉剛同為川美學子,1985年從四川美術學院畢業後留校執教至今,其時正值「八五新潮」,川美以「傷痕美術」及「鄉土繪畫」聞名,然而他意識到這些風格及題材與自身繪畫及想望不符,從而另闢蹊徑,由其所熱愛的宋人美學汲取靈感,構造出典雅高潔、具詩情及懸念感的李式「花卉」。2015年及2018年李強先後在東京上野之森美術館、重慶龍美術館舉辦大型個展,讓世人領略紛擾世界中飄逸純粹之美。此由是次呈現的《玉蘭2015 No.3》可見一斑。 點破銀花玉雪香 「傳統格局或者說『仿古』對我來說是很重要的,我希望我的一招一式是由這個母體生發出來,通過我的筆端去對照一種古人的大的精神意境。」 ——李強 玉蘭綻放於冬去春來、乍暖還寒之時,通體皆白,馨香淡雅。自古文人墨客甚愛玉蘭,如文徵明、黃公望等皆曾繪畫之。李強自2000年起便以「玉蘭」為描繪主題,汲古詠今。通過墨韻、飛白等抑揚頓挫、虛實相生的東方畫語,呈現其獨特的閃耀與神秘風采。《玉蘭2015 No.3》出自其經典的「玉蘭系列」。以一株盛開的白玉蘭為主角,灰褐花萼,玉雪霓裳,娉婷而至。生活於重慶的李強,特以川渝地區獨特的植物與崎嶇地貌入畫,錦簇的玉蘭蘊含重巒疊嶂的空間感,游離與曖昧兼併,暗香盈袖。藝術家通過畫面中下部疏影橫斜的花枝造境,營造陽光的傾瀉,在霧藍漸變的背景下,道道玉白錯位疊加,繪出春寒料峭中的傲然幽香。創作此畫時,李強已投入花卉主題達15年,相比最初遵循章法的拘謹,此時他更注重自我情感的釋放及融入。畫面近處,肆意生長的團團花蕊,若因風起的柳絮,剛勁的花枝與柔美的花瓣對立,剛柔並濟,從容堅強,饒富李強「帶審美性的視角去看待藝術與生活」的入世理想。若將林徽因詩中「一樹花開的四月暖意」與「希望」映現成畫,讓玉蘭的馥暖遍灑人間。
PROVENANCE Private Collection, Asia You Are the Breath of Spring Li Qiang's Magnolia Hymn Li Qiang, along with He Duoling and Zhang Xiaogang, all studied at the Sichuan Fine Arts Institute. After graduating from the institute in 1985, Li Qiang remained as a teacher, marking the era of the 85 New Wave. The Sichuan Fine Arts Institute was renowned for its "Scar Art" and "Local-themed painting." However, Li Qiang realized that these styles and subjects did not align with his own artistic aspirations. As a result, he charted a new path, drawing inspiration from the aesthetic principles of the Song dynasty, which he deeply admired. He constructed his own elegant, refined, poetic, and suspenseful style of "floral" painting. In 2015 and 2018, Li Qiang held major solo exhibitions at the Ueno Royal Museum in Tokyo and the Long Museum in Chongqing respectively, allowing the world to experience the ethereal purity. One can catch a glimpse of this essence in the present artwork, Magnolia 2015 No.3. Unveiling the Elixir of Sublime Beauty "The traditional framework, or rather, the 'journey to the past,' holds great significance for me. I aspire for every move and gesture of mine to originate from this ancestral source, allowing my brush to reflect the profound spiritual realm of the ancients." ——Li Qiang The magnolia blossoms in the transition from winter to spring, when warmth emerges amidst lingering cold. Adorned in pure white, they exude a gentle and elegant fragrance. Throughout history, literati and ink artists have held great affection for the magnolia, with Wen Zhengming and Huang Gongwang among those who depicted its beauty through painting. Since 2000, Li Qiang has chosen the "magnolia" as his subject, drawing inspiration from the past to express the present. Through the rhythmic brushstrokes, contrasting light and dark, and the interplay of emptiness and substance in Eastern artistic language, he unveils its unique radiance and enigmatic charm. Magnolia 2015 No.3 belongs to his iconic Magnolia Series. At the centre stage is a blooming white magnolia, adorned in hues of grey and brown, it entres the scene with grace. Li Qiang, residing in Chongqing, incorporates the distinct flora and rugged terrain of the Sichuan-Chongqing region into his art. The clustered magnolia blooms evoke a sense of vast mountainous spaces, emanating a subtle fragrance. Through the sparse and slanting flower branches in the lower portion of the composition, he creates an atmosphere of pouring sunlight. Against a backdrop of gradually transitioning shades of misty blue, layers of jade white intertwine, depicting the proud yet ethereal fragrance amid the lingering chill of spring. By the time he created this artwork, Li Qing had dedicated 15 years to the theme of flowers. Compared to his earlier adherence to compositional rules, he now emphasizes the release and integration of his own emotions. In the foreground, the abundant clusters of flower buds grow freely, contrasting with the strong branches and delicate petals, harmoniously balancing strength with softness. This reflects Li Qiang's "aesthetic perspective on art and life" with a worldly ideal. If one were to transform Lin Huiyin's poetic lines of "the warmth of April when a tree blossoms" and "hope" into a painting, it would be to shower the world with the fragrant warmth of the magnolia.

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