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蕭勤 冥想的能量 水粉 紙本 一九六四年作 Hsiao Chin 1935-2023 Senza Titolo Gouache on paper Painted in 1964
香港
2023年10月08日 开拍
拍品描述
size:73 × 46 cm. 28 3/4 × 18 1/8 in.
款識 Hsiao勤 64(右下)藝術家鈐印(左下)
Signed in English and Chinese and dated on bottom right; stamped with an artist's seal on bottom left
來源 2012年12月6日,義大利米蘭Cambi現當代藝術拍賣會,拍品編號71 現亞洲私人藏家直接購自上述來源 附:義大利米蘭Cambi拍賣行開立之作品證書 洞見朝陽之姿,聆聽銀河之音 蕭勤橫跨二十年的宇宙征途 「蕭勤意欲在一方小小的畫幅中,體驗、流露、反映出整個宇宙的神秘性;基本上,那是一種『二元對立又融合』的本質。而所有的思想和創作,也都指向一個最終目的:就是藉以了解自我所賴以依存的『宇宙』,以及『自我』這樣一個在宇宙中的『存有』。」 ——藝評家蕭瓊瑞 做為中國第一個抽象繪畫團體「東方畫會」的發起人、亞洲現代藝術先鋒的蕭勤,21歲即獲西班牙政府獎學金赴歐洲學藝。他潛心研究西方先鋒藝術,以中國繪畫中所重視意境的傳統結合西方抽象,以東方的宇宙觀震撼西方藝壇。 蕭勤單槍匹馬赴歐的第三年即獲代理畢加索(Picasso)、米羅(Miro)等名家的西班牙加斯巴畫廊垂青,此後邀約不斷,成為少數二戰後活躍的華人抽象大師。在過去逾六十年來,其作曾為紐約現代美術館、大都會博物館、香港藝術館等海內外四十餘所重要機構收藏。他是華人藝術史上的中流砥柱、不可或缺的藝術家,正如若藝評家謝佩霓所說:「他在華人藝術世界中,可謂一個活生生的傳奇」。 蕭勤藝術歷程最為重要的60至80年代在義大利度過,在此期間,他於1961年發起「國際龐圖(Punto)藝術運動」,1978年發起「國際太陽(Surya)藝術運動」,奠定他前鋒的堅實地位。是次上拍的兩件作品—完成於60年代的《冥想的能量》(拍品編號111)和80年代的《無題》(拍品編號112)即來自其旅義時期,見證他「太陽系列」及「宇宙風景系列」重要階段代表性的藝術語彙,展現其橫跨二十年間,持之以恆地對宇宙能量主題進行的哲學性探索。 流淌不懈的生命動能 「慢慢我找到老莊的思想,這也決定了我之後在歐洲走的路子,對我有很重要的影響。老莊思想、對整個宇宙的看法,也是我慢慢發展出來的。」 ——蕭勤 蕭勤六十年代的作品備受推崇,與是次拍品《冥想的能量》創作於同年的同名畫布作品即創其拍賣世界紀錄。在此時期,蕭勤從保守的學院式教育中逃離,開始和歐洲前衛藝術圈接軌,與空間主義大師封塔納(Lucio?Fontana)、雕塑家蘇皮拉克司(J.?Subiachs)等人結識,創建屬於自己的藝術天地。他從哲學、靜觀、內省的思想層面出發,於1961年提出「國際龐圖藝術運動」。彼時其畫中開始出現飽滿的矩形和圓形,在這些色彩豐富、形式對稱的幾何圖像中,抒發了老莊哲學中對生命及宇宙和諧的追求,《冥想的能量》即為經典代表。 畫中,靛藍的太陽在下方緩緩升起,大膽不羈的色彩突破了對於太陽的傳統表現,呼應了古語「爐火純青」。在冷色的圓中,光和熱的能量正在爆發,那顆熊熊燃燒的爐心若賦予大地萬物以生命。太陽上方,粉紅、橘黃、綠松石色的箭頭狀條帶層層疊加,指向無垠,像是宇宙中神秘的光波徐徐擴散,透露莊重尊嚴的神秘氣質。圓潤曲線和硬朗直線的視覺碰撞,彰顯蕭勤前衛的藝術語彙。幾何造型之上,恣意地揮灑著無所拘束的白色彩點,它們有時環繞太陽圓心舞蹈,有時順著箭頭狀的彩帶奔騰,在靜態的圖景之中注入了動能,創生了一個陰陽和諧的宇宙空間,像是遠古文明中受人頂禮膜拜的力量圖騰,震撼人心! 宇宙中奔湧的氣韻 「我嘗試以『無我』的心情來與大宇宙融合,去體會宇宙給我力量的啟發,並用畫面去印證這個偉大無窮的泉源。」 ——蕭勤 宇宙是蕭勤的心之所向,而成於80年代的「宇宙風景系列」是蕭勤在60年代宇宙冥想的「太陽」系列,70年代探索生命能量的「禪與炁」系列之上的又一次重大突破。黑洞、星雲、宇宙旋渦等更為廣闊的意象悉數登場,在更為廣大的層面上展現無窮的能量韻律,《無題》即展現出蕭勤在此時期大氣雄渾的藝術視野。 《無題》褪去了精密對稱的幾何式構圖,轉而以溫潤醇厚的書法式筆觸展現婉轉靈動的氣韻。蕭勤豪放地大筆一揮,以藍紫色畫出一團在宇宙中漫遊的星雲,看似簡單卻充滿微妙的色彩及濃淡轉變。星雲的左側為青紫色,令人聯想到宇宙的神秘冷冽,而右側若被光纖點亮,透現出生機勃勃的妍麗紫紅;上淡下濃的色彩展現出星雲密度的不斷轉化,局部時而攢聚成濃烈的深紫色聚落,時而鬆化如同飛白一般漫遊,在不斷的運動中醞釀一場風暴。在星雲下緣,他用自動性技巧潑墨,揮灑出一片彩點,像是正在逃脫引力場的星體,二元對立地展現整體與部分的辯證關係。右下角高彩度的綠、紅、黃色點闖入,如同滑落的流星,衝擊著星雲的邊際,帶來戲劇性的懸念,展現宇宙中的無限可能。蕭勤以東方的直覺、禪宗無拘無束的心境,表現「無我」與「宇宙大我」的結合,帶領觀者走進廣袤無垠的宇宙,令人流連忘返。
PROVENANCE 6 Dec 2012, Cambi Casa d'Aste Milan Italy Modern and Contemporary Art Auction, Lot 71 Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by Cambi Casa d'Aste, Milan, Italy Behold the Visage of the Rising Sun; Listen to the Melody of the Milky Way Hsiao Chin's Cosmic Journey Across Two Decades As the founder of the first Chinese abstract painting group "Eastern Painting Society" and a pioneer of modern Asian art, Hsiao Chin received a scholarship from the Spanish government to study art in Europe at the age of 21. He devoted himself to studying Western avant-garde art, combining the traditional Chinese emphasis on artistic conception with Western abstraction, shaking the Western art world with his Eastern cosmic perspective. In his third year in Europe, Hsiao Chin gained the attention of the Spanish Gasset Gallery, which represented famous artists such as Picasso and Miro. Since then, he has received constant invitations and has become one of the few active Chinese abstract masters after World War II. Over the past sixty years, his works have been collected by more than forty important institutions worldwide, including the Museum of Modern Art in New York, the Metropolitan Museum of Art, and the Hong Kong Museum of Art. He is an indispensable pillar in the history of Chinese art, as art critic Peini Beatrice Hsieh said, "He is a living legend in the Chinese art world." Hsiao Chin's most important artistic period was spent in Italy in the 1960s and 1980s. During this time, he initiated the "International Punto Art Movement" in 1961 and the "International Surya Art Movement" in 1978, establishing his solid position at the forefront. The two works featured in this auction, Senza Titolo (Lot 111) from the 1960s and Soggetto Informale (Lot 112) from the 1980s, both come from his time in Italy and represent significant stages of his Surya (Sun) Series and Landscapes of the Universe Series, add a comma showcasing his philosophical exploration of cosmic energy over a twenty-year period. The Ceaselessly Flowing Vitality of Life Hsiao Chin's works are highly respected from the 1960s, and the painting Senza Titolo created in the same year as the auction record-setting painting of the same name, reflects this praise. During this period, Hsiao Chin broke free from conservative academism and began to align himself with the European avant-garde art scene. He became acquainted with spatialist master Lucio Fontana and sculptor J. Subiachs, among others, and created his own artistic realm. Starting from philosophical, contemplative, and introspective thinking, he proposed the "International Punto Art Movement" in 1961. Full rectangles and circles started to appear in his paintings, expressing his pursuit of harmony in life and the universe found in Taoist philosophy. Senza Titolo is a classic representation of this. In the painting, an indigo sun rises slowly from the bottom, and bold and unrestrained colours break free from traditional representations of the sun, echoing the saying "Masterful craftmanship." Light and heat energy burst forth from the cool-coloured circle, endowing all things on earth with life. Above the sun, layers of pink, orange, and turquoise arrow-shaped bands accumulate, pointing towards infinity and resembling the gradual diffusion of mysterious light waves in the universe, revealing a dignified and mysterious temperament. The visual collision between rounded curves and strong straight lines highlights Hsiao Chin's avant-garde artistic vocabulary. Freely scattered white dots on geometric shapes inject kinetic energy into the static scene, creating a harmonious yin-yang universe space like a power totem worshipped in ancient civilizations, which is awe-inspiring. The Surging Rhythm of the Universe The universe is the focus of Hsiao Chin's heart, and the Landscapes of the Universe Series created in the 1980s represents a significant breakthrough from his Surya (Sun) Series in the 1960s, which focused on cosmic meditation. Black holes, nebulae, and cosmic whirlpools appear as even more expansive imagery, showcasing infinite energy rhythms on a broader level. Soggetto Informale showcases Hsiao Chin's grand and powerful artistic vision during this period. The work Soggertto Informale deviates from precise symmetrical geometric compositions and instead displays a graceful and dynamic atmosphere with warm and rich calligraphic brushstrokes. With a bold stroke of blue-purple, Hsiao Chin depicts a nebula wandering in the universe, seemingly simple yet full of subtle colour changes and intensity. The left side of the nebula is cyan-purple, evoking a mysterious and cold feeling of the universe, while the right side is illuminated by fibres of light, revealing a vibrant and beautiful purple-red. The changing density of colours from light to dark depicts the continuous transformation of the nebula, sometimes gathering into dense deep purple clusters and other times dispersing like flying white, brewing a storm in constant motion. At the lower edge of the nebula, he splashed ink with automatic technique, creating a cluster of colour dots, resembling celestial bodies escaping from a gravitational field and demonstrating a dialectical relationship between the whole and its parts. In the lower right corner, highly saturated green, red, and yellow dots intrude, resembling falling meteors, impacting the edge of the nebula and bringing dramatic suspense, showcasing the infinite possibilities of the universe. Hsiao Chin expresses his Eastern intuition and the unbounded state of mind in Zen Buddhism, emphasizing the individual's consciousness and aesthetic experience. With his profound understanding and exploration of the universe's inherent order and inherent energy, he reveals the immense and profound force behind the cosmos through his works. With?Eastern intuition?and a Zen-like state of mind,?Hsiao Chin?portrays the fusion of "selflessness" and the "cosmic self", leading viewers into the vast and boundless universe, leaving them spellbound.

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