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周珠旺 磊磊織心 油彩 畫布 二〇二一年作 Chou Chu-Wang b.1978 Stones Oil on canvas Painted in 2021
香港
2023年10月08日 开拍
拍品描述
size:97 x 194 cm. 38 1/4 × 76 3/8 in.
款識 周珠旺 2021 磊磊織心 珠旺 心像石頭堅定 石癡仙人 望山成石 造石若癡 忘塵為畫 癡石畫人(畫背)藝術家鈐印(畫背中區)
Signed and inscribed in Chinese, dated with four artist's seals on the reverse
展覽 2022年11月5日至12月25日,「藉石練心-周珠旺個展」,加力畫廊,台南 來源 亞洲私人收藏 石雖不言,磊磊織心 石癡周珠旺的以石為友 「他的石頭不是隨波逐浪的偶動,有天地的樸厚,又帶有驕陽似火的餘溫,風動四方,有廣闢大地的端正清華,朗朗乾坤。又不是叫囂的當代思維,是革命的禮敬天地,回歸單純的現世風景。」 ——藝評家謝素貞 縱觀歷史,「奇石」、「怪石」總能得到文人雅士的青睞,而台灣藝術家周珠旺卻獨愛故鄉海灘上那質樸而純粹的鵝卵石。誕生於務農家庭的他,童年時經常整日在屏東林邊的海畔與佳冬溪岸流連,觀察石與沙的姿態,又在如撿拾鴨蛋的勞作中鍛煉出絲毫不差的用指能力和高度的專注力,故而創作時能得心應手地發展出獨特的「畫石」意趣。於國立高雄師範大學美術研究所碩士畢業後,他不盲目追逐浮華,以「家」作為創作中始終湧動的情感光源,回歸那片根植心田的石碓,專注於畫石。周珠旺以持之以恆的驚人創作表現贏得了藝界的認可,於2003年獲高雄市立美術館的「高雄獎」、2007年獲台北市立美術館的「台北獎」、2009年又得到第二十一屆「奇美藝術獎」。其作為國立台灣美術館、台北市立美術館、聯邦文教基金會、澳洲白兔美術館等機構收藏。 是次秋拍的《磊磊織心》(97 x 194cm)是周珠旺拍場所現之最大尺幅之作,並獲展於其「藉石練心」個展中,尤具代表性。其間形態各異而纖毫入微的石頭不僅體現周珠旺近20年來潛心研究畫石而總結出的經典藝術語彙,更是一種在專注和純真中醞釀出的熨帖和靈性,值得品鑒和收藏。 銘山刻海,共譜歲月之歌 「回頭問雙石,能伴老夫否?石雖不能言,許我為三友。」 ——唐代詩人白居易 《磊磊織心》中的石陣以無邊無際、千變萬化的鵝卵石組成,有些大而扁平,愜意地躺在陽光下;有些細小精巧,在石陣縫隙中捉迷藏。水流反復的沖刷將它們打磨得圓潤光亮,在晴朗光纖下透現青灰的本色,又投射出富有高低韻律的灰藍深影,讓人產生置身於藍天碧海的視覺、乃至觸覺的遐想。周珠旺細緻地以密集圓圈模擬石面的粗糙質感,藉擬真的手法使顏料化身為石頭本身,誠摯耐心地描摹風吹日曬洗禮下的歲月刻痕,如若展現出鵝卵石「千石千貌」的獨立性格:只見有的石上有呈「U」字形的痕跡,像一張張活潑的笑臉;有的則佈滿條紋狀密集紋路,如同險峻石壁的厚實肌理,一如飽經滄桑的老者面龐。右側的石頭堆疊成石山,見微知著地影射自然中宏偉的奇峰;而左側有序的石列彷彿一條歲月的河流,記錄了跌宕起伏的人生—有時充滿歡聲笑語、有時勇敢面對嚴峻的挑戰、更多的時候是一種對於空明平靜的知足常樂。周珠旺的石頭早已脫離了對於具體事物的簡單呈現,而內化為一種心靈的試煉,他在微觀的事物中全神貫注地注入筆力,為如若親密的石頭朋友賦予時間和生命的感悟,體現凝練灑脫而質樸秀美的磊磊之心。
EXHIBITED 5 Nov – 25 Dec 2022, Cultivate the Heart through Painting of Stone, InArt Space, Tainan PROVENANCE Private Collection, Asia While Stones Remain Silent, They Listen to Your Heart Chou Chu-Wang: Befriending Stones "His stones are not capricious, but hold the simplicity of the world, along with the lingering warmth of the scorching sun. They have the dignified clarity and elegance that moves in all directions, expanding across vast lands. It is not a loud and contemporary thought, but a revolutionary respect for heaven and earth, a return to the simple present scenery." ——Art Critic Xie Suzhen Looking through history, "Strange stones" have always been favoured by literati and scholars. However, Taiwanese artist Chou Chu-Wang finds his deep affection for the simple and pure pebbles found on his hometown beach. Born into a farming family, he spent his childhood days lingering by the shores of Linbian in Pingtung and the banks of Jiadong River, observing the postures of stones and sands. Through the laborious tasks of collecting cobblestones, he honed his dexterity and cultivated a remarkable level of focus, which allowed him to effortlessly develop his unique interest in "painting stones." After graduating from the National Kaohsiung Normal University's Graduate Institute of Fine Arts, he did not blindly pursue vanity. Instead, he turned "home" into an emotional source that continuously flowed through his creations, returning to the stone mill deeply rooted in his heart. Chou Chu-Wang's persistent artistic dedication has earned him recognition in the art world. He received the Kaohsiung Award from the Kaohsiung Museum of Fine Arts in 2003, the Taipei Art Award from the Taipei Fine Arts Museum in 2007, and the 21st CHIMEI Arts Award in 2009. His works are collected by the National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, Federal Cultural and Educational Foundation, and the White Rabbit Gallery in Australia. Stones(97 x 194cm) in this autumn auction is Chou Chu-Wang's largest work created at the present time, and it is representative of his latest solo exhibition, Cultivate the Heart through Painting the Stones. The varied and delicate stone formations in the painting not only embody Chou Chu-Wang's classic artistic vocabulary developed over nearly 20 years of dedicated research on stone painting but also represent a smoothing and spiritual essence brewed through focus and purity, worthy of appreciation and collection. Engraving Mountains and Carving Seas, Composing the Symphony of Ages The stone formations in Stones are composed of endless and ever-changing pebbles. Some are large and flat, comfortably lying in the sunlight, while others are small and exquisite, playing hide-and-seek in the crevice of the stone arrangement. Repeated erosion by water has polished them into smooth and shiny surfaces, revealing a bluish-grey colour in the clear fibre of sunlight while casting rich shades of grey and blue, creating visual and even tactile associations with the blue sky and sea. Chou Chu-Wang delicately captures the rough texture of the stone surface through meticulously crafted concentric circle, employing a realistic technique that transforms the pigments into the very essence of the stones themselves. With sincere and patient strokes, he portrays the marks of time, sculpted by the gentle caress of wind and the sun, showcasing the independent character of the pebbles. Some stones bear "U"-shaped traces, resembling smiling faces, while others are filled with densely patterned lines, resembling the texture of steep cliffs or the weathered faces of the elderly. The stones stacked on the right form a stone mountain, implying the grandeur of nature's magnificent peaks, while the orderly arrangement of stones on the left resembles the flow of time like a river, recording the ups and downs of life - sometimes filled with laughter and joy, sometimes bravely facing challenges, and most often finding contentment in the serene emptiness. Chou Chu-Wang's stones have transcended the simplistic portrayal of physical entities and have become a spiritual trial. He imparts a profound sense of time and vitality to these stones, treating them as intimate friends, embodying a refined, unpretentious, and exquisitely "beautiful heart."

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