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陳福善 遊魚戲影 彩墨 紙本 一九七八年作 Luis Chan 1905-1995 Fish Playing with Figure Ink and colour on paper Painted in 1978
香港
2023年10月08日 开拍
拍品描述
size:135.5 x 68.5 cm. 53 3/8 × 27 in.
款識 戊午年福善 Luis Chan 1978 藝術家鈐印(左下、右下)
Dated in Chinese, signed in English and Chinese, dated and stamped with five artist seals on bottom left and right
來源 2016年11月28日,香港佳士得秋季拍賣會,拍品編號1613 現亞洲私人藏家直接購自上述來源 知魚之樂,遊山海入幻境 陳福善的山川大觀 「抽象、幻象的藝術會長久存在……我認為優秀的藝術,無論哪個畫派,皆必具備幻象,藝術貴乎刺激人們的想像。」 ——陳福善 20世紀中後葉香港歷經產業轉型,一躍成為國際金融與航運中心,也綻放了多元的藝術文化風貌。而正是這樣的時代背景,造就出藝術奇才—陳福善。 陳福善1905年出生於巴拿馬,幼時返回香港就學,後函授於英國美術學院,積累了紮實的基本功,雕刻、水彩、油彩、水墨等均涉獵廣泛,並有特出的表現。1935年,他在香港告勞士打酒店舉行個展,開香港個人畫展之先河,獲港督郝德傑(Andrew Caldecott)青睞,將其八件水彩、油畫作品公開展示於港督府大堂。陳福善在1962年後全力投入研究新派繪畫,試驗西方現代繪畫中許多新的技法和新的立場,創造出一系列意境離奇荒誕、魔幻超現實的城市風景。並嘗試以油畫、水彩、彩墨,配以立軸和手卷形式,呈現自然的中西交融。他從一個傳統風景畫家,蛻變為後來的奇幻畫家,經過六十年代漫長的探索,成就了獨特的創作面貌。本次呈現其創作於1978年的《遊魚戲影》,便是在色彩、構圖上的大膽嘗試、集個人風格於大成之作。 雖由人作,宛自天開 畫面上半部以靛藍為主調,既渲染了無垠的天空,猶如深沉清透的海底般承載著遊魚。只見四隻繽紛多彩、花紋各異的熱帶魚種悠遊其間,其中一隻金黃色的遊魚分外巨碩,在上方若守護著自己的夥伴。牠們既可上山下海,又可上天入地,宛如蛟龍般活靈活現。下半部分則以浪漫的粉調暈染海底的無窮世界,當中海底石塊若縱橫的山脈綿延起伏,若近觀之,可看到五張人臉隱沒其中,正觀賞著風景,一展藝術家綺幻瑰麗的想像,令作品煥發如「山海經」般的珍奇異趣。目光所及之處,無不可見陳福善對自然的熱愛及赤子般的童心。 香港藝術界著名推手張頌仁親切的稱陳福善為「福伯」,在八○年代張氏仍為後生之時,已近八十歲的陳福善會和他閒中出街,把茶談藝。張頌仁言:「福伯七十年代以來的奇幻山水世界,意境離奇荒誕,上天入地,神鬼交接。畫的結構出神入化,可是下筆稚拙,自由率直,有如回復童真」。在香港這樣一個高度商業化、現代化的都市中,陳福善其人其作仿若一幕幕超越現實的神奇劇場,他以雋秀灑脫之筆一覽山川地志,「起坐魚鳥間,動搖山水影」,再現「雖由人作,宛自天開」的大智慧。
PROVENANCE 28 Nov 2016, Christie's Hong Kong Autumn Auction, Lot 1613 Acquired directly by present private Asian collector from the above The Joy of Fish: Touring in Fantasy Land Luis Chan's Landscape of Mountains and Rivers In the mid-to-late 20th century, Hong Kong underwent industrial restructuring and became an international financial and shipping centre, and it also blossomed with diverse artistic and cultural styles. It was against this backdrop that Luis Chan, an artistic genius, was born. Born in Panama in 1905, he returned to Hong Kong to study at an early age, and later took a British distance learning course, accumulating solid basic skills in sculpture, watercolour, oil, ink and so on. In 1935, he became the first to hold a solo exhibition in Hong Kong and was favoured by Mr.Andrew Caldecott, the Governor of Hong Kong. After 1962, he devoted himself to the study of New Painting, experimenting with many new techniques in Western modern painting, presenting a natural fusion of East and West. He transformed from a traditional landscape painter into a later fantasy painter, and after a long period of exploration in the 1960s, he achieved a unique creative perspective.?Fish Playing with Figure?presented in this auction was created in 1978 and is a representative of his bold attempts in colour and composition of his personal style. Heavenly Creation by Human The upper half of the painting is dominated by indigo, which not only renders the boundless sky but also carries the swimming fishes like a clear sea. One of them is particularly large, guarding its partners. In the lower half of the painting, a romantic pastel tone is used to colour the infinite world of the sea, in which the rocks look like rolling hills. If one looks closely, five human faces can be seen hidden among the hills. Such precious imagination makes the scene comparable to the great fantasy work?"Classic of Mountains and Seas". Chan's love for nature and his childlike heart are evident in this painting. Mr Johnson Chang, a renowned curator and dealer of contemporary Chinese art in Hong Kong, said, "Mr Chan's fantastic landscapes since the 1970s have been characterized by bizarre and absurd scenes. The structure of the paintings is extraordinary, but the brushstrokes are childish, free and straightforward as if returning to the innocence of a child."?In such a highly commercialized and modernized city as Hong Kong, Chan's works are like a magical theatre that transcends reality. He uses his elegant and unrestrained brush, diving in and reproducing the great wisdom of nature.

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