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韋嘉 無處可逃三 壓克力彩 畫布 二〇〇七年作 Wei Jia b.1975 Nowhere to Run 3 Acrylic on canvas Painted in 2007
香港
2023年10月08日 开拍
拍品描述
size:140 × 110 cm. 55 1/8 × 43 1/4 in.
款識 無處可逃III 韋嘉 07(畫背) 出版 2007年,《如果能飛,能去往哪裡?》,Timezone 8 Limited,北京,第36至37頁
Titled, signed in Chinese and dated on the reverse LITERATURE 2007, If You Could Fly, Where Could You Go?, Timezone 8 Limited, Beijing, p. 36-37
展覽 2007年5月12日至6月10日,「如果能飛,能去往哪裡?韋嘉新作展」,亦安畫廊,上海 來源 2007年12月9日,北京榮寶秋季拍賣會,拍品編號526 現亞洲私人藏家直接購自上述來源 青春的告白 韋嘉早期重要代表作現身 「韋嘉的創作通過對於傳統手法的內化,以迂迴婉轉的方式對現實生活中『自我』的孤獨、寂寞、迷惘、抵抗、渴望等精神情狀進行細緻的體察,透過創作探索了自我發現的一條道路——通過告別青春的方式來紀念青春,並思考青春生命的意義…他以人性的解剖震撼觀者。其中,越來越迷醉的創作狀態與越來越犀利的人性透視令人驚嘆。」 ——中國知名藝評家馮博一 1975年出生於成都的韋嘉,自三歲起便展露對繪畫的興趣,自小其母親便購買了很多西方自文藝復興至當代的藝術叢書給予他閱讀,他也跟著在川劇院工作的父親,出入劇場,感受舞台上戲夢人生的繁華與精采,此均滋養了他其後的藝術創作。從孩提時進入成都少年宮學畫、到以第一名考入四川美院附中、1999年中央美院版畫系畢業,在校期間獲得了多項大獎,韋嘉一直不願拘泥、滿足於現狀,自2003年起他開始投身油畫的試煉,從版畫的層層理性分析,到油畫的不羈繪寫,在創作中韋嘉始終不變的是深刻而坦誠地面對「自我」,從各種複雜的心理到生存狀態,韋嘉言說了他的青春、對於世界的觀察以及那普世的「人性」。2006年他在星空間發表首次個展「野蠻春天」,作品在展期全數銷售一空,同年其作登上《Hi 藝術》創刊號封面、後年他榮獲「AAC藝術中國——年度青年藝術家獎」,自此打響了少年韋嘉的名聲,使他成為七零後重要藝術家代表。是次秋拍呈現的《無處可逃三》,即為其承先啟後的創作轉捩重要代表。 酣暢與自由的突破之境,直面人性的獨白 「繪畫是一種現實生活的投射。我熱愛畫畫的過程,生活本身就是痛並快樂著。我們這代人都是獨生子女,從小就特別孤單,直到成年,我骨子裡的性格是遠離人群的,一個人待在畫室裡時最自在。」 ——韋嘉 綜觀韋嘉的創作,可發現他有許多系列性的作品,像是一個個戲曲章節,闡述他對於個別主題的思考。如自2007年起的「說再見」、「照亮夜色無垠」、「無處可逃」等系列,展示了韋嘉對於大尺幅繪畫的駕馭能力,宏大的藝術抱負,以及其全情投入以不同角度來剖析個人心理與精神的能力。而在這之中,高達八件的「無處可逃」系列作品,堪稱為其早年體量最為龐大的創作。在其中清晰可見藝術家的超越與演變,如在《無處可逃一》,畫面呈現了一身穿潛水服的男子站在懸崖邊,而天外有一台監控器正注視一切,象徵外界、家庭與社會評價像是枷鎖般讓人無所遁形,此時的繪畫語言仍是相形平面、冷靜、帶有一種如同其早年在版畫訓練上的理性設計與安排,然而在是次上拍的《無處可逃三》中,韋嘉在有別以往地,在顏料之中使用了大量的水和松節油,如借鑑了中國水墨中的書寫性,或西方波洛克(Jackson Pollock)的自動性書寫,透過沾染著綠與紅彩的筆刷層層揮灑,刻意保留了一種偶發性的滴流感。當觀者穿越畫境那一重重深黝的樹林與花木,中心處可見一獨坐在森林中,低頭凝思的主角。他跳脫了前者決絕的絕望,正內省地看照自我的內心。作品指涉了韋嘉該時期的心理狀態,也談論了中國在獨生世代,或在複雜的人際關係、與成長過程中,每個人生命中或都曾經歷的一種生存的孤寂感,與需要被保護的狀態。韋嘉示現了這樣的心理,但又埋下希望的伏筆,如自然在此像是大地的母親,給予其庇護,而前景盛開的紅花,跳脫寫實以近乎抽象的筆觸若成為火焰,為畫中人帶來一絲外在的溫暖。而如同倫勃朗(Rembrandt)畫中的集中性黃綠光源,燃亮了畫心,照耀著主人公,展現一種戲劇性的張力,在絕望的世界中,令人看到了希望的光彩。 如藝術家自言,《無處可逃三》為其創作中重要的關鍵轉折之作,從這件作品他「找到了新的繪畫方法,開始讓更多水和顏料碰撞,當中有很多意外發生的不可控,像走鋼索一般,讓我興奮,讓我努力的去征服它,並且透過它引領我到一個未知的開闊空間」 ,由此,韋嘉找到了一種繪畫上,也同時是心理上的自由!
EXHIBITED 12 May – 10 Jun 2007, If You Could Fly, Where Could You Go? – Wei Jia's Recent Works, Aura Gallery, Shanghai PROVENANCE 9 Dec 2007, Rong Bao Beijing Autumn Auction, Lot 526 Acquired directly by present private Asian collector from the above Confessions of Youth An Early Representative Work of Wei Jia "Through internalizing traditional techniques, Wei Jia's creations delicately observe the spiritual states of 'self' in real life, such as loneliness, solitude, confusion, resistance, and longing, using a circuitous and graceful manner. His creations explore a path of self-discovery – commemorating youth through bidding farewell to it and contemplating the meaning of youth... He shocks the viewers with his dissection of human nature. Among them, the increasingly immersive state of creation and the sharper insight into human nature are truly astonishing." —— Feng Bo Yi, Prominent Chinese Art Critic Born in 1975 in Chengdu, Wei Jia displayed an interest in painting from the age of three. His mother provided him with numerous books on Western art from the Renaissance to contemporary, and his father, who worked in the Sichuan Opera Theatre, took him to theatres, exposing him to the vibrancy and excitement of stage performances. These experiences nurtured his artistic endeavours. After gaining admission as the top student to the Middle School of Sichuan Fine Arts Institute and then graduating from the Printmaking Department of the Central Academy of Fine Arts in 1999, Wei Jia has consistently refused to be confined, always seeking to transcend the present. In 2003, he began experimenting with oil painting. In his creations, Wei Jia candidly confronts the "self", expressing his youth, observations of the world, and universal "human nature". In 2006, he held his debut solo exhibition An Uncivilized Spring, where his works were sold out. That same year, his work was featured on the cover of the inaugural issue of Hi Art, and in subsequent years, he was honoured with the Award of Art China - Young Artist of the Year. This marked the beginning of Wei Jia's reputation as a young artist. Nowhere to Run 3 presented in this autumn auction, represents a pivotal turning point in his artistic evolution. A Breakthrough and Confrontation, the Monologue of Human Nature "Painting is a projection of real life. I love the process of painting; life itself is a mix of pain and happiness." —— Wei Jia Observing Wei Jia's works, one can identify various series, each seems to be resembling a chapter of an opera, elucidating his thoughts. Starting from 2007, series like Say Goodbye and Nowhere to Run demonstrates his mastery of large-scale painting, grand ambitions, and full engagement in analyzing personal psyche and spirit from different angles. Among these, the extensive Nowhere to Run series, consisting of up to eight pieces, represents his earliest large-scale creations. Among them, Nowhere to Run 1 portrays a man in a diving suit standing at the edge of a cliff, with a monitor in the sky symbolizing the external world, and familial and societal judgements that bind one like a shackle. Here, his artistic language remains flat and composed, reflecting the rational design and arrangement from his training in printmaking. However, in Nowhere to Run 3, Wei Jia departs from this style by adding copious amounts of water and turpentine to his pigments, akin to the writing characteristics of Chinese ink painting or the automatism of Western artist Jackson Pollock. Through layers of brushstrokes saturated with green and red pigments, he intentionally retains a sense of spontaneous dripping. As viewers traverse the dark woods, a central figure is seen sitting alone in contemplation in the forest. Contrary to the earlier resolute despair, he introspects, looking within himself. This work reflects Wei Jia's psychological state during that period and touches on the loneliness of existence experienced by individuals in China's one-child generation, complex interpersonal relationships, and the process of growth. Wei Jia portrays this psychology while planting seeds of hope. Nature acts as the mother of the earth, offering protection. The blossoming red flowers in the foreground, through nearly abstract brushstrokes resembling flames, bring a hint of external warmth to the depicted individual. Similar to the concentrated yellow-green light source in Rembrandt's paintings, it illuminates the heart of the artwork, shining on the protagonist, showcasing a dramatic tension that allows one to see the brilliance of hope in a world of despair. According to the artist, Nowhere to Run 3 is a significant transitional work in his creations. Through this piece, he "discovered new painting methods, allowing more collisions between water and pigments, resulting in uncontrollable accidents. It's like walking a tightrope, making me excited, making me work hard to conquer it, and leading me to an unknown open space." Through this, Wei Jia found a form of freedom in both his art and his mind.

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