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A FINELY CARVED BAMBOO 'SCHOLARS' BRUSHPOT, BITONG Early Qing Dynasty
香港
2023年05月29日 开拍 / 2023年05月27日 截止委托
拍品描述
A FINELY CARVED BAMBOO 'SCHOLARS' BRUSHPOT, BITONG
Early Qing Dynasty
Of cylindrical form, meticulously carved in relief and openwork with a continuous scene depicting statesmen, literati and artists gathering at a mountain retreat, inscribed with a Lu Zhen mark with a wu square seal, the rim and base fitted with separate wood mounts, the bamboo of a reddish-brown tone.
16.5cm (6 1/2in) diam.
清早期 竹鏤雕雅集圖筆筒
「魯珍」款、「吳」方印

Provenance:
An Asian private collection

來源:
亞洲私人收藏

The marks inscribed on the the present exquisitely carved brushpot attribute it to the work of master carver Wu Zhifan (1644-1774), zi Lu Zhen. He was a member of the Jiading school of bamboo carving, who was active during the reign of the Kangxi emperor. Famous for his low relief carving on a simple plain background, he is also known to have excelled in all techniques, including high relief bamboo carving as seen in the present piece.

The present lot is remarkable for the thickness and large surface of the bamboo, allowing the artist to skilfully bring the landscape and figural scene to life utilising the depth of the wood to create multi-layers, and building a three-dimensional effect. The deeply-carved scene depicting the literatus' idealised lifestyle represents a mature style of the Jiading school, which developed during the Kangxi period and further evolved during the 18th century.

A number of brushpots bear Wu's signature: a boxwood brushpot from the Qing Court Collection in the Beijing Palace Museum, illustrated in Zhongguo meishu chuanji [A comprehensive collection of Chinese fine arts], Vol.11, Beijing, 1987, pl.13. The present brushpot, although with slightly deeper relief compared to the Beijing Palace Museum boxwood example, distinguishes itself by the dense layers of carving from the later bamboo works which were executed in a more simplistic way. It is probably an early work by the artist completed before his style matured. See two other brushpots inscribed by Wu published in ibid., pls.11-12.

筒式,外壁一周鏤雕山間文人雅集事,共雕有二十餘人,松柏竹林掩映之下,或相對彈琴,或側耳傾聽,或松下對弈,或佇立觀棋,場景自然,形神刻畫細膩皆備。筒身一邊刻「魯珍」款及「吳」方印。整器刀法細緻,歎為觀止。

清代初期,隨著國家政治局勢的穩定和江南經濟的復甦,嘉定竹刻重獲發展,其市場不再局限於文人學士書齋雅玩,其受眾急劇擴張,竹刻在此環境下獲得了廣泛的生存空間。這一時期的竹雕手法多樣,造型題材豐富,浮雕、鏤雕等技藝都發展到了歷史最高水平。

吳之璠(1644-1774),字魯珍,號東海道人,清康熙年間嘉定人,工書畫,更善竹刻,長於深浮雕、透雕,皆於本品上體現出來。有其他署吳之璠款筆筒,可作比對。其中包括清宮舊藏東山報捷圖黃楊筆筒,現存北京故宮,圖載於《中國美術全集-工藝美術編11:竹木牙角器》,北京,1987年,圖版13。相比北京故宮博物院藏黃楊木作,此品浮雕雖未及其起伏分明,紋飾卻仍較後期竹雕繁密,層次更形豐富清晰,可推想此筆筒或屬吳之璠早期作品,製於其風格成熟以前。其他吳之璠款竹雕作例,可見筆筒二件,載於前書,圖版11及12。

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价格信息

拍品估价:800,000 - 1,200,000 港币 起拍价格:800,000 港币  买家佣金:
落槌价 佣金比率
0 - 400,000 28.00%
400,000 - 7,500,000 27.00%
7,500,000 - 50,000,000 21.00%
50,000,000 - 以上 14.50%

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