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SEISHINKEN MOTOSHIGE A Set of Kozuka (Knife Handle), Kogai (Skewer), Kashira (Pommel), Kojiri (End Cap), Uragawara (Slot Reinforcement), and Semegane (Scabbard Ring) Edo period (1615-1868), mid-19th century (7)
英国 北京时间
2023年05月18日 开拍 / 2023年05月16日 截止委托
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拍品描述
SEISHINKEN MOTOSHIGE
A Set of Kozuka (Knife Handle), Kogai (Skewer), Kashira (Pommel), Kojiri (End Cap), Uragawara (Slot Reinforcement), and Semegane (Scabbard Ring)
Edo period (1615-1868), mid-19th century
Of shibuichi, some surfaces ishimeji, each piece inlaid and chiselled in relief of gold and shakudo depicting tigers and bamboo, kikusui (chrysanthemums floating on a stream), or bamboo, the kozuka signed on the reverse Ikeda Mitsumasa no motome ni ojite Jukizan Ushiki no fumoto Sakurai no sato ni oite kizamu toki ni Ansei kinoto-u seito [...] Seishinken Toi (Made to the order of Ikeda Mitsumasa at the foot of Ushiki by Mount Juki in Sakurai village in midwinter 1856), with a seal Toi, the kogai with the same inscription in shorter form concluding with a signature Seishinken Minamoto no Motoshige and with a gold-inlaid kao, the other components variously signed Toi and Seishinken; with a fitted wood storage box. (7).
The signatures on the kozuka and kogai share features with two artists listed by Haynes: Motoshige (5923) and Mototomo (5952) who was known as Toi after taking Buddhist vows; taken together, the kozuka and kogai may provide evidence that the two were in fact one and the same individual.

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