| 中文版 English

具体要求

其它要求

-
关闭
A MUGHAL-STYLE SPINACH-GREEN JADE BRUSHPOT, BITONG Probably Republic Period
英国
2023年05月18日 开拍 / 2023年05月16日 截止委托
拍品描述
A MUGHAL-STYLE SPINACH-GREEN JADE BRUSHPOT, BITONG
Probably Republic Period
The vessel of cylindrical shape standing on three ruyi feet, finely carved with vertical panels depicting intricate designs of large blossoming flowers borne on an undulating foliate meander, all between bands of curling leaves and petals, the stone of deep translucent emerald tone. 17.2cm (6 7/8in) high.
或民國 痕都斯坦式碧玉花葉紋筆筒

Provenance: Sotheby's Paris, 9 June 2010, lot 178
An important European private collection, and thence by descent

來源:巴黎蘇富比,2010年6月9日,拍品編號178
歐洲重要私人收藏,並由後人保存迄今

The present lot with its crisp floral carving and translucent stone displays distinct influence of Mughal jade-carving styles on Chinese jades. This was due to the favour shown by the Qianlong emperor to Indian (which he termed 'Hindustan') jades. Mughal jade vessels produced in India were renowned for their exceptional carving and naturalistic designs. These objects were traded and gifted as tributes to China via Yarkand, in Central Asia. The Qianlong emperor greatly admired the fine quality of Mughal jade workmanship, and wrote poems praising Mughal pieces in his collection, describing them as 'thin as paper'. Chinese carvers thereafter strove to imitate the Mughal style, combining Chinese decorative elements and symbolism such as the chrysanthemums decorating the handles.

The foreign influence on the present vessel is identifiable by being so thinly carved, thin and translucent enough to allow the light to shine through the walls; and by the frequent use of petal and floral designs. Such 'Hindustan' jade carvings, both the examples from the Mughal empire and the versions carved in China, were highly treasured, as exemplified by the number and variety of examples in the Imperial collections in the National Palace Museum, Taipei and in the Palace Museum, Beijing.

The design of acanthus leaves seen on the present brushpot derives from classical European architecture, and was introduced into the Mughal jade-carving repertoire during the 17th century. Chrysanthemums on the other hand, symbolic of longevity and fertility, have long been closely associated in China with Autumn and the hermetic poet Tao Qian (365-427 AD). Living during a turbulent period in China, he retired in midlife to a small estate to live out his days in rustic obscurity, drinking wine and writing poetry. Private and quiet as his life was, his reputation grew steadily after his death, particularly for his association with chrysanthemums, which he grew in a small patch by the eastern fence of his retirement estate. Since then, chrysanthemums have come to symbolise the literatus ideal of tranquil solitude in one's Autumn years.

Compare the designs of chrysanthemums and plants extending up from the base in low relief as seen on the present brushpot with the low-relief designs decorating a small jade lidded pot, Qing dynasty, illustrated in the National Palace Museum, Exquisite Beauty - Islamic Jades, Taipei, 2007, p.212, no.262.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:30,000 - 40,000 英镑 起拍价格:30,000 英镑  买家佣金:
落槌价 佣金比率
0 - 20,000 27.50% + VAT
20,000 - 700,000 26.00% + VAT
700,000 - 4,500,000 20.00% + VAT
4,500,000 - 以上 14.50% + VAT

拍卖公司

Bonhams UK
地址: Montpelier Street Knightsbridge London SW7 1HH
电话: 44 20 7447 7447
邮编: SW7 1HH
向卖家提问