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董小蕙 b.1962 晨曦——粉茶 Dong Shaw-hwei Pink Camellia in the Morning
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 畫布
二〇一四年作
款識 S.Hwei 2014(右下) 出版 2017年,《茶花集 董小蕙》,國立歷史博物館出版社,台北,第45頁
展覽 2017年11月18日至2018年1月14日,「老院子?韶光?年華——董小蕙2017個展」,台北國立歷史博物館,台北 來源 亞洲私人收藏 方寸天地間,一桌一心台 董小蕙的靜物風景 「生命在定靜中生發,在諧適中滋潤,自然與人文,在心台風景中相遇、相融並相生。這些桌子、靜物,或許被歸類到了靜物畫,但它們的『靜』,或許正是最特別的地方。四十年完成一張畫,繪畫陪伴我,從畫面中我慢慢瞭解著生命風景的樣貌。」 ——董小蕙 董小蕙1992年自師大美術系畢業後旅居德國寫生創作,繪畫風格承接印象派啟蒙,著重對於光影、當時當下的描寫。她在摸索創作多年後,重返校園,到師大美術研究所進修,專注於莊子美學及個人創作之探討,先後寫成《莊子思想之美學意義》、《莊子虛靜觀照精神下之寫生意義》,把莊子思維中的美學意涵與能量,深植內心,反饋畫作,使其作更增添內涵、厚度與個性。2017年,她在台北國立歷史博物館「國家畫廊」的大型個展「老院子.韶光.年華」,發表跨越20多年的創作,獲廣泛迴響。? 董小蕙自2005年開始創作「黑桌靜物」系列,此源自其對老木桌沉靜樸實質感的偏好,又鐘愛於靜觀日常花卉生長的妍麗豐姿,筆劃間流淌樸素生活的寧靜、喜悅,呼應中國隱逸傳統的人文精神。是次,我們呈現藝術家「黑桌靜物」系列二件代表作,展現她通過一桌一物,以光以影,娓娓道來的詩篇。 拙萌抽芽吐花 董小蕙鐘愛以茶花入畫,花語為「謙讓」之花呼應其隱逸內斂的性格。茶花多在晚秋天氣稍涼時靜靜綻放。 而凋謝時,非整個花朵掉落,而是花瓣一片片地慢慢落下,展現侘寂的生命之美。在2014年所作的《晨曦——粉茶》(拍品編號93)中,在圓木桌的中央,盛開的粉茶舒展笑顏,交疊的花瓣綻放出圓潤的花形,而清透的嫩粉色彩將其襯托得愈發清秀雅致,而綠葉枝頭見細蕊含苞待放,欲吐芬芳,董小蕙在此將「物我靜觀」的理念融入畫中,通過描繪「拙萌抽芽,發葉吐花」的情狀,闡述生命輪迴的東方哲思,令人體會花兒綻放於晨曦如初露般的生命悸動。而其下方的茶碗和茶杯皆泛釉色,半滿的茶水清澈見底,杯身細膩的紋路與至簡展現一種純粹的美及靜心品嚐生活的恬淡自足。 對語婀娜生姿 在完成於同年的《晨間對語——蘭花》(拍品編號94)中,藝術家罕見地將兩株植物放置於同一平面上:右邊的紫蘭花斜插在透明玻璃樽中,花枝搖曳有如聞風起舞;而左邊的蟹爪蘭又名「錦上添花」,以未經過度修剪的樸實之姿呈現出本真的面貌——肥厚的綠葉由中心開展,細長的紫蕊獨樹一幟。雙姝左右相對,容器一實一虛,花瓣一張一合,在黑色的木桌上各自交映斜陽餘暉,在滴答的時光流逝中默默盛開、對語,展現出參差多樣的生命情貌。藝術家在此著重譜寫「對話與反差」——除兩株蘭花不同的特色外,花葉各自生長的清新生動,以及木桌紋的肌理質感,深具寫實性的視覺意象,而另一方面桌椅的造型結構、背景物象的空間處理又趨向平面性的現代簡約風格。融合了東方與西方、平面與立體、古典與現代等反向對立的美學特質,並藉著簡單物象的詮釋與描繪,呈現一種悠然自在的情致,令人過目不忘。
Oil on canvas
100 × 80 cm. 39 3/8 × 31 1/2 in.
Painted in 2014
Signed in English and dated on bottom right LITERATURE 2017, The Camellia Series of Dong Shaw-hwei, National Museum of History, Taipei, p.45
EXHIBITED 18 Nov 2017 – 14 Jan 2018, In Courtyard, Recollecting Precious Moments of Life-Dong Shaw-hwei 2017 Solo Exhibition, National Museum of History, Taipei PROVENANCE Private Collection, Asia A Table for Heart between Heaven and Earth Dong Shaw-hwei’s Still Life Landscapes Since 2005, Dong Shaw-hwei has been creating the Still Life of Black Table series, inspired by her preference for old wooden tables with a quiet and straightforward feel and her love of watching the beauty and richness of flowers growing in everyday life. For the auction, we present two representative works from the artist’s Still Life of Black Table series, showcasing her poetry through a table and her flowers. The Birth of Flowers In Pink Camellia in the Morning (Lot 93), painted in 2014, the blooming pink camellia spreads its smiling face in the centre of a round wooden table. Its overlapping petals blossom into a rounded flower shape. At the same time, the delicate pink colour sets it off more peacefully and elegantly. On the green leafy branches, tiny stamens are waiting to bloom and exhale their fragrance. In this painting, Dong depicted the sprouting of leaves and the blooming of flowers to illustrate the oriental philosophy of the cycle of life. The tea bowl and cup beneath the flower are glazed, with the water half-filled and clear. Their delicate lines for decoration and simple shape reveal a sense of pure beauty and the contentment of a quietly tasting life. Conversation with the Graceful In Dialogue in the Morning-Orchid (Lot 94), completed in the same year, the artist has taken the rare step of placing two plants on the same plane: The purple orchid on the right is tilted in a transparent glass bottle, its branches swaying as if they are dancing in the wind, while the Schlumbergera on the left, also known as “the flower on top of flowers”, has plump green leaves spreading out from the centre and long purple stamens in the centre. The two beautiful flowers face each other, with one flowerpot opaque and the other transparent. On the black wooden table, each flower reflects the lingering rays of the sun, silently blooming and speaking in the ticking light of time, revealing the diversity of life. Here the artist focuses on “dialogue and contrast”: In addition to the different characteristics of the two orchids, the freshness and movement of the flowers and leaves, as well as the texture of the wooden table, are intensely realistic in visual imagery. On the other hand, the structure of the table and chairs and the spatial treatment of the background objects tend to be flat, modern, and minimalist. The aesthetic is a blend of East and West, flat and three-dimensional, classical and contemporary, and is unforgettable.

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价格信息

拍品估价:240,000 - 360,000 港币 起拍价格:240,000 港币  买家佣金:
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
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