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中村萌 b.1988 想象的爆發 Moe Nakamura Mind Bomb
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 木雕
二〇一四年作
款識 Moe(底部)
展覽 2014年10月31日至11月3日,「2014台北國際藝術博覽會」,椿畫廊展位,台北 來源 東京椿畫廊 現亞洲私人藏家直接購自上述來源 附:東京椿畫廊開立之作品證書 以純粹之心刻畫的溫暖與童真 中村萌的藝術暢想 「曾經活著聳立的大樹倒下變成木塊,木塊被雕刻成作品繼續呼吸、存活,循環不斷,生生不息。」 ——中村萌 1988年生於東京,2012年畢業於東京女子美術大學美術研究所的中村萌,為日本當代藝術家中勢不可擋的新生力量。她在學時主修油畫,卻在偶然與木雕邂逅的機緣下,被木頭會呼吸、生長的特質吸引,感受化為木材後仍存在的溫度,從此踏上了融合兩種創作技法的旅程。在平面畫作中她以結合自然、動植物、想像中的生物、精靈及純真的孩童為主角,而立體雕塑則讓這些角色躍出二維空間,強調自然及手雕如同「藝術家在場」的紋路及時光痕跡,再憑藉純熟的油畫技巧,創造出細膩飽滿的彩繪表面,充滿撫慰人心的溫度和細膩的質感。在畢業後即獲日本椿畫廊垂青,開啟長期的合作及海內外數十埸展覽,累積廣大的粉絲、藏家追捧。 是次呈現的雕塑《想像的爆發》(拍品編號3)縈繞著令人心境平和的天然木質香氣,藉由一道道鑿刻的痕跡,為作品注入鮮活的生命力,進而,一個頭上長有小尖角的孩童在我們眼前誕生。她有著黃澄的皮膚、圓潤的鼻尖,僅露出半張小臉,像是一顆正破土而出的種子;似在冥想一般微微瞇著眼睛,而頭頂可見一朵象牙白的蘑菇雲,如同正經歷一場想像的頭腦風暴。中村萌曾說:「我帶著作品就像是我的分身一樣的想法創作」,而此作即可被視為藝術家腦中靈感生發的具體一瞬,呼應人物「破土而出」的造形,別具戲劇性張力,俏皮又充滿童心。而《自然之子》(拍品編號4)則更加突顯「人與自然」的結合,畫面中下部分以柔和的藍綠色、白色畫出日本永恆而經典的富士山形象,儼然體現中村萌對於土地的眷戀。藉中心仿若「萬物有靈論」中的森林精靈隱喻其自身,只見她像是一棵樹苗發出新芽展現自然的神跡,其間棕褐色的樹皮包裹著稚嫩的臉龐向上延伸,萌生出彷彿下一秒就將發芽的枝幹。小精靈以一種童真、好奇的眼光看待世界,其空靈,純真的樣貌摒棄了世俗的嘈雜,展現了初生的無憂無慮、靜謐純淨的特貿;而她嬌嫩的嘴唇微張,若將發聲初啼,充滿了新生的喜悅,讓人彷彿進入奇幻的童話故事中,共同訴說對於美好未來的嚮往。 中村萌之作可愛卻不落流俗,造型大膽卻親切溫暖。對於生活的敏銳細膩、對自然生物的崇敬融合其個人的奇想和溫柔,令她聲名鵲起,刮起一陣屬於萌萌的藝術風潮。
Oil on wood sculpture
24 × 22 × 24 cm. 9 × 8 1/2 × 9 in.
Executed in 2014
Signed in English on the underside
EXHIBITED 31 Oct – 3 Nov 2014, Art Taipei 2014, The booth of Gallery Tsubaki, Taipei PROVENANCE Gallery Tsubaki, Tokyo Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by Gallery Tsubaki, Tokyo A Pure Mind Depicting Warmth and Children's Innocence The Artistic Imagination of Moe Nakamura “The tree that once stood alive fell and became a block of wood, and the block was carved into an artwork and therefore continues to breathe and live, in an endless cycle.” —— Moe Nakamura Born in Tokyo in 1988, Moe Nakamura graduated from Joshibi University of Art and Design in 2012 and became an unstoppable new emerging force among Japanese contemporary artists. She majored in oil painting in school, but she encountered wood carving by chance. Attracted by the breathing and growing nature of wood, she has since embarked on a journey to fuse two creative techniques. In her graphic paintings, she uses a combination of nature, flora and fauna, imaginary creatures, spirits, and the most innocent children as the main characters, while in her three-dimensional sculptures, these characters leap out of the two-dimensional space, emphasizing the natural patterns and traces of time left by hand-carving. Moreover, she uses her skillful oil paints to create a rich and delicate painted surface full of soothing warmth. After graduation, she was invited by Gallery Tsubaki in Japan to start a long-term collaboration and more than ten exhibitions in Japan and abroad. The sculpture Mind Bomb (Lot 3 ) presented this time is surrounded by a calming natural wood fragrance, and the chiseled traces bring this work to life. Thus, a child with warm orange horns on her head is born in front of our eyes. She has yellow skin and a round nose, and only reveals half of her small face, like a seed breaking out of the ground. Her eyes are slightly squinted as if she is meditating, and an ivory-white mushroom storm is above her head as if she is experiencing an imaginary brainstorm. This work can be regarded as a concrete moment when inspiration is created in the artist's mind, echoing the shape of the figure “breaking out of the ground,” in a playful and childlike manner. Meanwhile, Child of Nature #1 (Lot 4 ) emphasizes the combination of “human and nature.” The lower and middle parts of the painting are painted in soft blue-green and white, reflecting the eternal and classic image of Mount Fuji in Japan, which embodies Nakamura's attachment to his homeland. The forest spirit in the centre is a metaphor for herself, as a young sapling showing the miracle of nature, with its brownish bark wrapped around the tender face that extends upward and sprouts new branches. The little elf looks at the world with a childish, curious eye, showing the carefree, tranquil, and pure character of the newborn child. Her delicate lips are slightly open as if she is about to cry for the first time, which fills the work with joy of new life. Moe Nakamura's works are cute but not vulgar, bold but warm and friendly. Her sensitivity to life and her reverence for natural creatures mingle with her personal whimsy and tenderness, which gave her fame and created a “kawaii” trend in Moe's art.

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拍品估价:250,000 - 450,000 港币 起拍价格:250,000 港币  买家佣金:
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
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