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北齊/周 砂岩菩薩
纽约
2023年03月24日 开拍 / 2023年03月22日 截止委托
拍品描述
北齊/周 砂岩菩薩15 ? in. (39 cm.) high, softwood stand
北齊/周 砂岩菩薩15 ? in. (39 cm.) high, softwood stand 山中商會, 大阪, 1928年 山中商會,《支那古陶金石展觀》, 大阪, 1928年, 編號231山中讓及金立言, 《山中商會經手中國藝術品資料彙編》, 卷一, 上海, 2020年, 頁235 大阪, 大阪美術俱樂部,《支那古陶金石展觀》, 大阪, 1928年11月25-27日東京, 世界遺産プラザ.世界遺産ギャラリー,《シルクロード.遥かなる旅展.中国編》, 東京, 2005年 Please note that this lot is subject to an import tariff. The amount of the import tariff due is a percentage of the final hammer price plus buyer's premium. The buyer should contact Post Sale Services prior to the sale to determine the estimated amount of the import tariff. If the buyer instructs Christie's to arrange shipping of the lot to a foreign address the buyer will not be required to pay the import tariff, but the shipment may be delayed while awaiting approval to export from the local government. If the buyer instructs Christie's to arrange shipping of the lot to a domestic address, if the buyer collects the property in person, or if the buyer arranges their own shipping (whether domestically or internationally), the buyer will be required to pay the import tariff. For the purpose of calculating sales tax, if applicable, the import tariff will be added to the final hammer price plus buyer's premium and sales tax will be collected as per The Buyer's Premium and Taxes section of the Conditions of Sale. Please note that this lot is subject to an import … 顯示更多 VARIOUS PROPERTIES
拍品專文 This finely carved stele is representative of the outpour of high-quality Buddhist sculpture being made in China in the 5th century, during the Northern Qi and Northern Zhou dynasties which together spanned little more than a quarter of a century but saw great development in Buddhist art. Unlike the sculpture made in the preceding Northern Wei dynasty, Northern Qi and Northern Zhou sculpture saw a turn towards rounder, softer, and more naturalistic imagery. After the downfall of the Wei Tartar dynasty and the victory of the Northern Qi and Northern Zhou rulers, there was a breakdown in communications within China, however the Emperor Wen Gong of the Northern Qi was a devoted Buddhist and thus succeeded in maintaining direct communications with India. Frequent pilgrimages were made, monks traveled across the Silk Route returning with scriptures and paintings, and hundreds of monasteries were founded across the area of Shandong, Hebei, Henan and eastern Shanxi. This strong relationship between the Northern Qi Emperor and Gupta India had a strong stylistic influence on Buddhist sites and sculptures made during this time. The high-relief jewelry on the present figure, in particular, reflects the influence of Gupta style Indian sculptures. A Northern Qi sandstone figure of a standing bodhisattva from the Ching-ya T’ang Collection, illustrated in The Art of Contemplation-Religious Sculpture from Private Collections, The National Palace Museum, Taipei, 1997, pp. 126-27, no. 35, and on p. 252, has a similar necklace of three pronounced beads and a beaded and braided outer necklace. The author notes that these distinctive necklaces are often found on figures from Shanxi province. Compare, also, another figure of a standing bodhisattva with similar necklaces, in the Cincinnati Art Museum, illustrated in Hai-Wai Yi-Chen, Chinese Art in Overseas Collections: Buddhist Sculpture II, Taipei, 1990, p. 65, and another similar figure dated to the Northern Qi dynasty which was unearthed in Shanxi, illustrated in Faxiang zhuangyan: Shanxi fojiao zaoxiang yishu jingpin zhuan, Jiangxi Provincial Museum, Shanghai, 2011, p. 54. The facial characteristics of the present figure, especially the slightly plump face, evenly parted hair, prominent rounded eyebrows, and distinctive finely delineated chin, as well as the figure’s rigid stance, are characteristic of Northern Qi bodhisattvas. A limestone head of a bodhisattva, also dating to the Northern Qi dynasty, with similarly modeled features sold at Christie’s Hong Kong, 29 October 2001, lot 504. A figure of a bodhisattva dated to the Northern Qi-Sui dynasty, 6th century, with similarly rigid frontal pose to the present figure, was sold at Christie’s New York, 22 March 2019, lot 1609. Compare, also, a massive head of a bodhisattva from the J. T. Tai collection dated to the second half of the 6th century, sold at Sotheby’s New York, 3 June 1985, lot 5, which is also carved in the round with similarly modeled facial features.

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拍品估价:80,000 - 120,000 美元 起拍价格:80,000 美元  买家佣金:
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0 - 1,000,000 26.00% + VAT
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6,000,000 - 以上 14.50% + VAT

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