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清乾隆 青花纏枝花卉輔首尊? The large blue and white vase is of baluster form, body depicts scrolling flowers and vines, between ocean waves and lappet band patterns, two looped ring handles on the side, bottom bears six character QIANLONG reign mark. Qing Dynasty period. Height: 11 in (27.9 cm) Width: 7 in (17.8 cm) 本品取法上古銅器為形化裁而成,古雅端莊,肩貼饕餮銜環雙鋪首,胎骨細膩堅致,釉質瑩白溫潤。通體以青花為飾,紋飾層次繁複豐富,自上而下分繪海水江崖紋、變形芭蕉葉紋、纏枝蓮紋、覆蓮瓣紋等六層紋飾,其間以突起的七道弦紋相隔,使器型更富於變化,紋飾層次過渡更見清晰。繪畫細緻入微,青花色澤純正,並以筆觸點染之法追求永宣青花鐵銹斑效果,頗見宣窯神韻。器足內青花書“大清乾隆年製”篆書款,字體端正清秀。本品所飾之鋪首古雅可愛,製作頗為精緻。鋪首是古代建築大門上的銜環獸面,漢代鋪首多表現虎、螭、龜、蛇等神獸的面部,明清時期鋪首主要以“椒圖”的形象出現。椒圖傳說是龍生九子之一,性好閉,最反感別人進入它的巢穴,世人因而將其頭部形象放在門上,取其緊閉之意,以圖平安。清代禦瓷之中使用鋪首裝飾始見於康熙後期,至清雍正、乾隆兩朝頗為流行,鋪首銜環紋的使用正是復古之風在瓷器上最明顯的體現。