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A FAMILLE ROSE ‘RECLINING LADY’ SNUFF BOTTLE, LATE 18TH TO EARLY 19TH CENTURY
奥地利 北京时间
2023年03月10日 开拍
拍品描述
A FAMILLE ROSE ‘RECLINING LADY’ SNUFF BOTTLE, LATE 18TH TO EARLY 19TH CENTURY
China, 1780-1840. Molded and painted to depict a reclining woman holding a handkerchief in her left hand and resting her chin in the palm of her right hand, her bound feet peeking out from her trousers, one foot forming the stopper.

Provenance
: From a noted French private collection.
Condition: Very good condition with minor wear to gilt and enamels as well as minimal firing irregularities.

Stopper: Porcelain
Weight: 30.6 g
Dimensions: Height including stopper 91 mm. Diameter neck 15 mm and mouth 8 mm

One of the popular figural molds of the mid-Qing period was of a reclining woman. In practically every case, the foot of the extended leg forms the stopper, granting somewhat constrained access to the interior by way of the hollow leg. None of the reclining-woman bottles is dated to any particular reign. The enamels generally would accord with the Jiaqing period, or a little later in some particular cases. The general impression gained from the group of figure-form molded porcelains is that they began at the same time as other molded types in the last years of the Qianlong reign, flourished in the Jiaqing, and tailed off during the Daoguang period to settle into the regular, occasional production of later-Qing types. There seems to have been a shift in focus during the early Daoguang period from molded porcelain bottles to individually carved ones, which may have been one reason for their decline.

This model, despite its apparent innocence to the Western eye, would probably have been considered erotic by the Chinese. The bound feet of women in pre-modern China were considered erotic, because they were specific to women, embodied feminine charm and beauty, and were practically never seen.

Literature comparison:
For similar molded examples, see three illustrated by M.C. Hughes, The Blair Bequest. Chinese Snuff Bottles from the Princeton University Art Museum, Baltimore, 2002, no. 297-299.

Auction result comparison:
Type: Closely related
Auction: Sotheby’s Hong Kong, 27 May 2013, lot 107
Price: HKD 125,000 or approx. EUR 19,500 converted and adjusted for inflation at the time of writing
Description: A famille-rose porcelain ‘reclining lady’ snuff bottle, Qing dynasty, late 18th / early 19th century
Expert remark: Compare the closely related pose, and enamels

Auction result comparison:
Type: Closely related
Auction: Bonhams New York, 22 March 2011, lot 35
Price: USD 14,640 or approx. EUR 19,000 converted and adjusted for inflation at the time of writing
Description: An enameled 'reclining lady' porcelain snuff bottle, 1780-1820
Expert remark: Compare the closely related pose, enamels, and size (10.8 cm)



十八世紀末至十九世紀初粉彩“睡美人”鼻煙壺

中國,1780-1840年。鼻煙壺呈一婦人斜臥,左手執帕,右手托腮,一足從褲中探出,另一足為壺蓋。

來源:法國知名私人收藏。
品相:狀況非常好,鎏金和琺瑯有輕微磨損,細微燒製不規則。

壺蓋:陶瓷
重量:30.6 克
尺寸:含蓋高91毫米,頸部直徑15 毫米,壺口 8毫米

清代中期流行的鼻煙壺造型之一是睡美人,即成臥姿的婦人,一足作爲壺蓋。目前還無法確定睡美人鼻煙壺可以追溯到哪一個統治時期。琺瑯彩鼻煙壺盛於嘉慶時期,個別情況稍晚一些。人物造型的陶瓷起於乾隆末年,盛於嘉慶,道光年間漸趨衰落。道光初期,鼻煙壺製作的重心似乎已經從模製瓷瓶轉移到單獨雕刻的瓶上,這可能是它們衰落的原因之一。

睡美人鼻煙壺儘管在西方人眼中看起來很純樸,但中國人可能會認為它很情色。古時中國女性的小腳被認為是色情的,因為它們是女性特有的,體現了女性的魅力和美麗,幾乎不會被生人看見。

文獻比較:
一件相似的鼻煙壺,見M.C. Hughes,《The Blair Bequest : Chinese Snuff Bottles from the Princeton University Art Museum》,巴爾的摩,2002年,編號297-299。

拍賣結果比較:
形制:非常相近
拍賣:香港蘇富比,2013年5月27日,lot 107
價格:HKD 125,000(相當於今日EUR 19,500
描述:清十八世紀末 / 十九世紀初 粉彩「臥姿仕女」鼻煙壺
專家評論:比較非常相近的姿勢和琺瑯。

拍賣結果比較:
形制:非常相近
拍賣:紐約邦瀚斯,2011年3月22日,lot 35
價格:USD 14,640(相當於今日EUR 19,000
描述:1780-1820年瓷胎畫琺瑯仕女鼻煙壺
專家評論:比較非常相近的姿勢、琺瑯和尺寸 (10.8 厘米)。

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