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国内拍卖首页 > Lempertz > 亚洲艺术 > Lot 454

A partly stained ivory netsuke of two oni at setsubun. Hakata, attributed to Otoman. Ca. 1830

德国北京时间

2022年12月09日开拍

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拍品描述: A partly stained ivory netsuke of two oni at setsubun. Hakata, attributed to Otoman. Ca. 1830An angrily shouting two-horned oni protects himself with a large straw hat against the beans being thrown at him, while a smaller one-horned oni crouches beside with hands covering his head for protection.For a while now, the term "Hakata School" has been circulating among netsuke connoisseurs. Hakata is the port city of Fukuoka, the former seat of the Kuroda daimy? family, in Chikuzen Province, now Fukuoka Prefecture on Ky?sh? Island. Four netsuke carvers known by name lived in Hakata. Bokugyuken Toshiharu 牧牛軒利治 (d. 1859) has to be named first. His existing netsuke however make it impossible to make out a style that was transmitted to his pupils: Matsushita Otoman (Otomitsu) 松下音満; Nakamura Riman (Toshimitsu) 中村利満 (1800/1801-1861), by whom no netsuke seem to be known, and Nakanoko Yoshibei 中ノ子吉兵衛, who is generally associated with the making of dolls.The Hakata style of netsuke is therefore the style of Otoman, whose active period is documented for the years from 1823 to 1829. This is the period in which Otoman carved a netsuke set of zodiac animals commissioned by Philipp Franz von Siebold (1796-1866). Otoman’s trademark is the tiger, whose pitch-black fur engravings stand out strikingly against the white of the ivory.But Otoman also created numerous figure netsuke which occasionally tend towards a certain grotesqueness. With the heads of his oni or legendary figures, one never quite knows whether they are laughing or screaming. The mouths form a rectangle with a row of teeth in the upper jaw and a deep, black oral cavity. The off-centre placement of the black inlaid pupils gives the faces a roguish expression. An unsigned oni yarai netsuke attributed to Otoman similar to one offered here was published in Expressions of Style, Netsuke as Art, Scholten Japanese Art, New York 2001, Nr. 67.Height 2.3 cm; length 4.1 cmCertificateSales permit for the EU internal market availableProvenancePrivate collection, DüsseldorfLiteratureCf. a stylistically close piece attributed to Otoman in: Rosemary Bandini, Expressions of Style. Netsuke as Art. New York 2001, p. 53, cat. no. 67This lot contains materials which require a CITES licence for export outside of the EU contract countries. We would like to inform you that such licenses are usually not granted. Zwei oni zu setsubun. Elfenbein, teilweise eingef?rbt. Hakata, Otoman zugeschrieben. Um 1830Ein oni mit zwei H?rnern auf dem Kopf und ein kleinerer einh?rniger oni schützen sich mit einem gro?en Strohhut gegen die nach ihnen zum Frühlings?quinoktium geworfenen Bohnen. Fünf Bohnen liegen auf dem Hut.Unter Netsuke-Sammlern hat sich der Begriff ?Hakata-Schule“ eingebürgert. Hakata ist die Hafenstadt von Fukuoka, der ehemalige Sitz der Kuroda daimy?-Familie, in der Provinz Chikuzen, der heutigen Pr?fektur Fukuoka auf der Insel Ky?sh?. In Hakata lebten vier namentlich bekannte Schnitzer. Zun?chst ist Bokugyuken Toshiharu 牧牛軒利治 (gest. 1859) zu nennen, dessen Netsuke aber zu unterschiedlich sind, um einen Stil auszumachen, der sich auf seine Schüler übertragen hat. Seine drei Schüler sind: Matsushita Otoman (Otomitsu) 松下音満; Nakamura Riman (Toshimitsu) 中村利満 (1800/1801-1861), von dem wohl keine Netsuke bekannt sind, und Nakanoko Yoshibei 中ノ子吉兵衛, der mit der Fertigung von Puppen in Verbindung gebracht wird. Der Hakata-Stil ist daher weitestgehend der Stil des Otoman, dessen Schaffenszeit sich für die Jahre von 1823 bis 1829 dokumentarisch belegen l?sst. Es ist der Zeitraum, in dem Otoman im Auftrag von Philipp Franz von Siebold (1796—1866) einen Netsuke-Satz von Tierkreiszeichentieren schnitzte. Otomans Markenzeichen ist der Tiger, dessen Fellgravuren tiefschwarz eingef?rbt sind und sich somit augenf?llig vom Wei? des Elfenbeins abheben. Aber Otoman schuf auch zahlreiche figürliche Darstellungen, die wie beim vorliegenden Stück gelegentlich ins Groteske gehen mit Gesichtern, bei denen man nicht recht wei?, ob sie lachen oder schreien. Die Münder bilden ein Rechteck mit einer Zahnreihe im Oberkiefer und einer tiefen, schwarzen Mundh?hle. Die dezentrierte Platzierung der Pupillen bei diesen Netsuke verleiht manchen Gesichtern etwas Schalkhaftes, ja Irres — Merkmale, die in dem vorliegenden Netsuke auch deutlich zur Geltung kommen. Vergleichbar ist das unsignierte oni yarai-Netsuke, das Otoman zugeschrieben ist (siehe Expressions of Style, Netsuke as Art, Scholten Japanese Art, New York 2001, Nr. 67).H 2,3 cm; L 4,1 cmGutachtenVermarktungsgenehmigung für den EU-Binnenmarkt vorhandenProvenienzPrivatsammlung, DüsseldorfLiteraturVgl. ein hinsichtlich der Stilmerkmale ?hnliches, Otoman zugeschriebenes Stück in: Rosemary Bandini, Expressions of Style. Netsuke as Art. New York 2001, S. 53, Kat.-Nr. 67Dieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in L?ndern au?erhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird.
---以下为第三方软件翻译，仅供参考---

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1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
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A premium of 29 % calculated (24% + 5% live bidding fee) on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 29% (24% + 5% live bidding fee) on the hammer price; onto this (hammer price and premium) the statutory VAT of 19% will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1945, a charge of 1.8% on the hammer price will be levied fort he droit de suite.