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国内拍卖首页 > Lempertz > 亚洲艺术 > Lot 164

A fine and rare imperial doucai floral medallion dish. Yongzheng period (1722–1735)

德国北京时间

2022年12月09日开拍

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拍品描述: Yongzheng six-character mark in kaishu and of the periodOf saucer form with shallow flaring sides, the interior delicately painted in a widely ranging palette including purple, orange, iron-red, yellow, and green with an elaborate floral medallion with flowerheads, consisting of a peony, hibiscus, lotus, mallow and lilly, amidst flower buds, foliage and curled leaves, all delicately outlined in underglaze-blue and between a double underglaze-blue line border, the exterior decorated similarly.The present plate is an outstanding example of the imperial porcelain art of the Yongzheng period (1722-1735). The porcelain painter has supplemented the classic colour palette of the legendary doucai models from the Chenghua period (1464-1487) of the Ming dynasty with further colours and shades, the production of which became possible in this period. The result is a colourful composition that combines flowers that actually bloom in nature at different times of the year. The enamel colours were applied to the underglaze blue contours with the greatest care and precision, so that there are hardly any places where they have been painted over. The porcelain body consists of a very pure white body and is extremely thin-walled.The six-character imperial mark on the base is excellently written and corresponds in its vertical axis with the flowers on the outer wall.The design is known from other doucai pieces of the Yongzheng period, such as a bowl in the Museum of East Asian Art in Bath. The present piece, however, seems to be the only one known so far in saucer dish form.Diameter 20.5 cmProvenanceOld private collection, North Rhine-Westphalia, and thence by descentLiteratureCompare a bowl with a similar decoration in The Museum of East Asian Art, Inaugural Exhibition, vol. I, Chinese Ceramics, Bath 1993, p. 253, no. 199 Seltene kaiserliche doucai-Schale mit Blütenmedaillon. Yongzheng-Periode (1722–1735)Yongzheng-Sechszeichenmarke in kaishu und aus der ZeitVon saucer-Form mit flachrunden Seiten, innen und au?en fein bemalt in einer weitreichenden Palette von Purpur, Orange, Eisenrot, Gelb und Grün mit einem Medaillon mit Blütenk?pfen, bestehend aus P?onie, Hibiskus, Lotos, Malve und Lilie, inmitten von Blütenknospen, Blattwerk und gekr?uselten Bl?ttern, alles fein in Unterglasurblau umrandet, das Blütenmedaillon innen eingefasst von einem unterglasurblauem Doppelkreis.Der vorliegende Teller ist ein herausragendes Exempel der kaiserlichen Porzellankunst der Yongzheng-Periode (1722-1735). Die klassische Farbpalette der legend?ren doucai-Vorbilder aus der Chenghua-Periode (1464-1487) der Ming-Dynastie hat der Porzellanmaler hier durch weitere Farben und Schattierungen erg?nzt, deren Erzeugung in dieser Periode m?glich wurden. So entstand eine farbenpr?chtige Komposition, die Blüten miteinander vereinigt, die in der Natur eigentlich zu unterschiedlichen Jahreszeiten blühen. Das Einbringen der Schmelzfarben in die unterglasurblauen Konturen erfolgte mit gr??ter Sorgfalt und Pr?zision, so findet man kaum Stellen, an denen sie übermalt sind. Der Porzellank?rper besteht aus einem sehr reinen wei?en Scherben und ist ?u?erst dünnwandig get?pfert.Die Sechszeichen-Regierungsmarke am Boden ist exzellent geschrieben und korrespondiert in ihrer vertikalen Achse mit den Blüten auf der Au?enwand.Das Design ist von anderen doucai-Stücken der Yongzheng-Periode bekannt, wie beispielsweise einer Kumme im Museum of East Asian Art in Bath. Das vorliegende Stück scheint jedoch das einzige bislang bekannte in flacher Schalenform zu sein.D 20,5 cmProvenienzAlte Privatsammlung Nordrhein-Westfalen, seither in FamilienbesitzLiteraturVgl. eine Kumme mit ?hnlichem Dekor in: The Museum of East Asian Art, Inaugural Exhibition, Band I, Chinese Ceramics, Bath 1993, S. 253, Nr. 199
---以下为第三方软件翻译，仅供参考---

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1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
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A premium of 29 % calculated (24% + 5% live bidding fee) on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 29% (24% + 5% live bidding fee) on the hammer price; onto this (hammer price and premium) the statutory VAT of 19% will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1945, a charge of 1.8% on the hammer price will be levied fort he droit de suite.