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ANONYMOUS Miroku Bosatsu with Attendant Guardian Kings Muromachi period (1333-1573), 15th/16th century
英国
2022年11月03日 开拍 / 2022年11月01日 截止委托
拍品描述
ANONYMOUS
Miroku Bosatsu with Attendant Guardian Kings
Muromachi period (1333-1573), 15th/16th century
Hanging scroll; ink, colours, and gold on silk within brocade and gold-foil silk mounts. Overall: 205.5cm x 87cm (80 7/8in x 34?in); image: 126cm x 60cm (49 5/8in x 23 5/8in).
Provenance:
Henri Vever (1854-1942) Collection.

The bodhisattva Miroku (Sanskrit, Maitreya) seated on a lotus throne floating over clouds, his crown adorned with miniature images of the Five Wisdom Buddhas and his hands held in the gesture of meditation, the throne resting upon two ritual implements, a dokkosho and a sankosho, above five sacred gems; below to right and left Fudo (Acala), the Immovable Wisdom King, and Aizen (Ragaraja), the Wisdom King of Passion, with their respective skin colours, black and red, and attributes of sword, chain, bow, lotus flower, and bells; the joge (strips above and below the painting) of silk brocade with a repeated dragon roundel motif; the surrounding mount of silk applied in nuihaku (gold leaf) with 16-petal chrysanthemum mon (crests) and plum-blossom mon associated with the Maeda family of Kaga Province.

Miroku, the Bodhisattva of the Future, assumed growing importance in Japanese belief during the civil violence and natural disasters of the twelfth century as a deity who would transcend the era of mappo (the end of the Buddhist Law) and descend from his dwelling in the Tusita heaven to reappear on earth and establish a perfect Buddhist order. Fudo here appropriately supports Miroku as a ferocious protector of the Law, while Aizen was another deity whose importance grew during the medieval period due to a belief that he had the power to overcome the threat of invasion by the Mongols, who were twice defeated in 1274 and 1281.

1. Anne Nishimura Morse and others, MFA Highlights: Arts of Japan, Boston: MFA Publications, 2008, pp.43, 47, 57.

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