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NAMIKAWA SOSUKE (1847-1910) A Fine Cloisonné-Enamel and Musen Tall Baluster Vase Meiji era (1868-1912), late 19th/early 20th century
英国
2022年11月03日 开拍 / 2022年11月01日 截止委托
拍品描述
NAMIKAWA SOSUKE (1847-1910)
A Fine Cloisonné-Enamel and Musen Tall Baluster Vase
Meiji era (1868-1912), late 19th/early 20th century
Decorated with two egrets wading among reeds growing in a pond, the egrets worked in white musen (wireless) enamel plumage, their beaks, legs and eyes subtly highlighted in gold wire, the outlines of the reeds in gilt wire, applied with a shakudo rim and foot; signed on the base in silver wire with the Sakigake (Seal of Namikawa Sosuke) on a dark plum-coloured ground. 44.5cm (17?in) high.
A large rounded square tray with a cockerel by the same artist is in the current exhibition 'Japan: Courts and Culture' at the Queen's Gallery, Buckingham Palace.

One of the greatest craft entrepreneurs of the later Meiji era, Namikawa Sosuke was until recently best known in Japan for a set of 32 decorative panels commissioned for Tokyo's Akasaka Rikyu Palace, completed in 1909. These date from the last years of his very productive life, nearly three decades after he began to experiment with the technique known as musen shippo (wireless enamelling), his most enduring contribution to an art form that developed at extraordinary speed in Japan between the mid-nineteenth century and the early years of the twentieth century. In Chinese cloisonné enamelling, the wires separating the different areas of fused and polished enamels that made up a design also served to hold the enamels in place during the firing process, and the individual areas of colour were relatively small. Sosuke, followed shortly after by his rivals, managed to improve the chemistry of the enamels so that they adhered more securely to the metal bases of his wares, allowing him to introduce large areas of colour into his designs, although it is thought that wires between different colours still had to be painstakingly applied and removed at each stage of manufacture. Thanks to these and other technical breakthroughs, later Meiji-era enamellers were often able to emulate the effects of brush painting on paper or silk. In recognition of his achievements, in 1896 Sosuke was appointed to the order of Teishitsu Gigeiin (Artist-Craftsman to the Imperial Household).

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拍品估价:30,000 - 40,000 英镑 起拍价格:30,000 英镑  买家佣金:
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