| 中文版 English

具体要求

全部
侧面
背面
底部
内部
局部细节
款识
破损处

其它要求

提交申请
关闭
Sangorski & Sutcliffe BURNEY, Francis (1752-1840). Evelina . Illustrated by Hugh Thomson. London: Macmillan and Co., n.d.
纽约 北京时间
2022年10月23日 开拍 / 2022年10月21日 截止委托
拍品描述
Sangorski & Sutcliffe
BURNEY, Francis (1752-1840). Evelina. Illustrated by Hugh Thomson. London: Macmillan and Co., n.d.
Kelliegram-style binding by Sangorski & Sutcliffe, with no less than six pictorial morocco inlays: a scene of Evelina and her two suitors on the upper cover and scenes of one figure each on the lower cover, both doublures, and both flyleaves. Kelliegram bindings—with colorful inlaid morocco scenes from the contents adapted to the book covers—were first developed by the English firm of Kelly & Sons in the 1880s. The present example is in their style, but with all the stops pulled out by their competitors, Sangorski & Sutcliffe.

Octavo (179 x 106mm). Frontispiece, illustrated title, and numerous illustrations by Hugh Thomson. Full crushed levant purple morocco extra by Sangorski and Sutcliffe, pink morocco doublures and endleaves, all edges gilt, gauffered and decorated in pink. The covers with elaborate gilt borders of rose branches enclosing multi-colored pictorial morocco scenes illustrating characters from the novel, spine and turn-ins gilt. Doublures and flyleaves of pink morocco similarly gilt and inlaid; each of the four morocco panels featuring a multi-colored pictorial inlaid morocco depiction of a character from the novel; pink silk endleaves. Full green morocco box lined with purple velvet, also by Sangorski and Sutcliffe.
Kelliegram-style binding by Sangorski & Sutcliffe, with no less than six pictorial morocco inlays: a scene of Evelina and her two suitors on the upper cover and scenes of one figure each on the lower cover, both doublures, and both flyleaves. Kelliegram bindings—with colorful inlaid morocco scenes from the contents adapted to the book covers—were developed by the English firm of Kelly & Sons in the 1880s and continued into the 20th century. The present example is in their style, but with all the stops pulled out by their competitors, Sangorski & Sutcliffe. Over a dozen different colors of morocco were used in the inlays depicting eight full-length figures; the gauffered edges additionally decorated in pink are also unusual.

Octavo (179 x 106mm). Frontispiece, illustrated title, and numerous illustrations in text, including chapter headings, pictorial initials, and vignettes reproduced after drawings by Hugh Thomson. Full crushed levant purple morocco extra by Sangorski and Sutcliffe, pink morocco doublures and endleaves, all edges gilt, gauffered and decorated in pink. The covers with elaborate gilt borders of rose branches decorated with pale pink and green morocco inlays each enclosing multi-colored pictorial morocco scenes illustrating characters from the novel. Spine gilt in five compartments with raised bands, two compartments lettered in gilt, the others continuing the rose-branch inlay pattern, the central compartment with an additional inlay of white and blue morocco depicting two quills bordered by love-hearts; turn-ins gilt with dots. Doublures and flyleaves of pink morocco with gilt borders of inlaid white rose branches, cornerpieces of blue and white love-hearts on the doublures and purple love-hearts on the endleaves; each of the four morocco panels featuring a multi-colored pictorial inlaid morocco depiction of a character from the novel; pink silk endleaves; stamp-signed by the binders on a morocco ticket on a lower endleaf. Full green morocco box lined with purple velvet, also by Sangorski and Sutcliffe (case a bit browned and rubbed).

Sangorski & Sutcliffe BURNEY, Francis (1752-1840). Evelina. Illustrated by Hugh Thomson. London: Macmillan and Co., n.d. Kelliegram-style binding by Sangorski & Sutcliffe, with no less than six pictorial morocco inlays: a scene of Evelina and her two suitors on the upper cover and scenes of one figure each on the lower cover, both doublures, and both flyleaves. Kelliegram bindings—with colorful inlaid morocco scenes from the contents adapted to the book covers—were first developed by the English firm of Kelly & Sons in the 1880s. The present example is in their style, but with all the stops pulled out by their competitors, Sangorski & Sutcliffe. Octavo (179 x 106mm). Frontispiece, illustrated title, and numerous illustrations by Hugh Thomson. Full crushed levant purple morocco extra by Sangorski and Sutcliffe, pink morocco doublures and endleaves, all edges gilt, gauffered and decorated in pink. The covers with elaborate gilt borders of rose branches enclosing multi-colored pictorial morocco scenes illustrating characters from the novel, spine and turn-ins gilt. Doublures and flyleaves of pink morocco similarly gilt and inlaid; each of the four morocco panels featuring a multi-colored pictorial inlaid morocco depiction of a character from the novel; pink silk endleaves. Full green morocco box lined with purple velvet, also by Sangorski and Sutcliffe. Kelliegram-style binding by Sangorski & Sutcliffe, with no less than six pictorial morocco inlays: a scene of Evelina and her two suitors on the upper cover and scenes of one figure each on the lower cover, both doublures, and both flyleaves. Kelliegram bindings—with colorful inlaid morocco scenes from the contents adapted to the book covers—were developed by the English firm of Kelly & Sons in the 1880s and continued into the 20th century. The present example is in their style, but with all the stops pulled out by their competitors, Sangorski & Sutcliffe. Over a dozen different colors of morocco were used in the inlays depicting eight full-length figures; the gauffered edges additionally decorated in pink are also unusual. Octavo (179 x 106mm). Frontispiece, illustrated title, and numerous illustrations in text, including chapter headings, pictorial initials, and vignettes reproduced after drawings by Hugh Thomson. Full crushed levant purple morocco extra by Sangorski and Sutcliffe, pink morocco doublures and endleaves, all edges gilt, gauffered and decorated in pink. The covers with elaborate gilt borders of rose branches decorated with pale pink and green morocco inlays each enclosing multi-colored pictorial morocco scenes illustrating characters from the novel. Spine gilt in five compartments with raised bands, two compartments lettered in gilt, the others continuing the rose-branch inlay pattern, the central compartment with an additional inlay of white and blue morocco depicting two quills bordered by love-hearts; turn-ins gilt with dots. Doublures and flyleaves of pink morocco with gilt borders of inlaid white rose branches, cornerpieces of blue and white love-hearts on the doublures and purple love-hearts on the endleaves; each of the four morocco panels featuring a multi-colored pictorial inlaid morocco depiction of a character from the novel; pink silk endleaves; stamp-signed by the binders on a morocco ticket on a lower endleaf. Full green morocco box lined with purple velvet, also by Sangorski and Sutcliffe (case a bit browned and rubbed). The Book as Art, Part I, Sotheby's New York, 2 June 1995, lot 58. Acquired by Ann and Gordon Getty from the above.

本场其它拍品

  • Lot 581
  • Lot 582
  • Lot 583
  • Lot 584
  • Lot 585
  • Lot 586
  • Lot 587
  • Lot 588
  • Lot 589
  • Lot 590
  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
100,000
10,000
+
5,000
100,000
2,000
50,000
1,000
20,000
500
10,000
250
5,000
200
2,000
100
1,000
50
500
10
100

价格信息

拍品估价:7,000 - 10,000 美元 起拍价格:7,000 美元  买家佣金:
落槌价 佣金比率
0 - 1,000,000 26.00% + VAT
1,000,000 - 6,000,000 20.00% + VAT
6,000,000 - 以上 14.50% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

拍卖公司

Christie's
地址: 20 Rockefeller Plaza New York
电话: +1 212 636 2000
邮编: NY 10020
向卖家提问