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A GEORGE III GILTWOOD PIER MIRROR ATTRIBUTED TO WILLIAM MATHIE, EDINBURGH, CIRCA 1765
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2022年10月22日 开拍 / 2022年10月20日 截止委托
拍品描述
A GEORGE III GILTWOOD PIER MIRROR
ATTRIBUTED TO WILLIAM MATHIE, EDINBURGH, CIRCA 1765
With a pagoda cresting hung with a bell above an arched divided plate the scrolling foliate sides with entwined vinery perched with birds, the apron with a central pierced serpentine balustrade flanked by pagoda crested balustrade niches supported by shells, mirror plates largely replaced, with printed and inscribed Ann and Gordon Getty Collection inventory label
104 in. (264.1 cm.) high, 48 1/2 in. (123.2 cm.) wide

A GEORGE III GILTWOOD PIER MIRROR ATTRIBUTED TO WILLIAM MATHIE, EDINBURGH, CIRCA 1765 With a pagoda cresting hung with a bell above an arched divided plate the scrolling foliate sides with entwined vinery perched with birds, the apron with a central pierced serpentine balustrade flanked by pagoda crested balustrade niches supported by shells, mirror plates largely replaced, with printed and inscribed Ann and Gordon Getty Collection inventory label 104 in. (264.1 cm.) high, 48 1/2 in. (123.2 cm.) wide Acquired from Mallett, London, in 1976. Supplied by Parish-Hadley, New York, to Ann and Gordon Getty in 1976. This Lot is transferred to Christie’s Redstone Post-Sale Facility in Long Island City after 5.00 pm on the last day of the sale. They will be available at Redstone on the following Monday. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to confirm your property’s location at any given time. This Lot is transferred to Christie’s Redstone Pos… Read more
Lot Essay The attribution for this lot is based on other documented mirrors by Edinburgh furniture-maker (or 'wright') William Mathie, which feature a number of similar stylistic characteristics and distinctively shaped ornamental details. Mathie’s skill lay in the panache with which he executed his carved mirror frames: ‘Mathie knew a real joy in their creation. Trailing flowers cascade from one rococo scroll to another; aspiring plants with spiky leaves entwine themselves about the more solid framework of the glasses; gilded grass grows thickly about the inner frame’ (F. Bamford, ‘Two Scottish Wrights at Dumfries House, Furniture History, vol. 9, 1973, p. 86). The elongated form corresponds to two pairs of mirrors at Mathie’s most celebrated commission, Dumfries House, Ayrshire, supplied in 1759 to William Crichton-Dalrymple, 5th Earl of Dumfries, sold respectively as lots 55 and 200 in ‘Dumfries House: A Chippendale Commission’, Christie’s, London, 12-13 July 2007 (before the house and its contents were saved for the nation). The balustraded balconies at the base of the frame are comparable to those found on of one of the Dumfries mirrors (lot 55). The sinuous giltwood foliate branches which entwine themselves around the framework of the mirror is also found on another Dumfries mirror by Mathie, lot 250 in the same sale, and another mirror supplied by Mathie to Francis Charteris, 7th Earl of Wemyss (1723-1808), for Amisfield House, near Haddington, Scotland, in 1760-61, and subsequently at Gosford House, Longniddry, sold Christie’s, London, 15 November 2017, lot 100 (£100,000 including premium).

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价格信息

拍品估价:40,000 - 60,000 美元 起拍价格:40,000 美元  买家佣金:
落槌价 佣金比率
0 - 1,000,000 26.00% + VAT
1,000,000 - 6,000,000 20.00% + VAT
6,000,000 - 以上 14.50% + VAT

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