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A RARE PURPLE AND COPPER-GREEN SPLASHED JUN BOTTLE VASE, YUHUCHUNPING, SONG TO YUAN DYNASTY
奥地利
2022年03月11日 开拍
拍品描述
A RARE PURPLE AND COPPER-GREEN SPLASHED JUN BOTTLE VASE, YUHUCHUNPING, SONG TO YUAN DYNASTY
China, 960-1368. Covered overall in a thick and finely crackled lavender-blue glaze dramatically and profusely decorated with rich purple and copper-green splashes, the glaze thinning to olive-green at the mouth and pooling over the foot, the foot rim left unglazed and burnt orange in the firing, the underside and some areas to the body densely suffused with bubbles.

Provenance: French private estate. Chevau-Legers Enchères, Versailles, 3 December 2010, lot 182. Collection Particulière Fran?aise, acquired from the above.
Condition: Good condition with old wear and significant firing flaws, including pitting, numerous burst bubbles partially filled with sedimental encrustations, glaze pooling, and glaze recesses. A small old fill to a chip at the mouth rim. Losses and abrasions to glaze pooling around the foot rim, mostly inherent to the firing process, with associated sedimental encrustations. Intentional glaze crackling. Presents very well overall.

Weight: 1,320 g
Dimensions: Height 26.6 cm

The superb glaze of this vase is a particularly luminous blue, punctuated by vivid, dynamic purple and green splashes. The effect is to create an intimate, jewel-like piece that delights when held in the hand, especially in natural sunlight, where elements of the complex glaze develop a distinct iridescence.

Classic Jun glazes are thick, opalescent, and translucent. Despite their color, they fall within the celadon family of glazes. The Jun glaze’s opalescence and distinctive robin’s-egg hue resulted from the spontaneous separation of the glaze into silica-rich and lime-rich glasses during the last stage of firing. In essence, the formation of tiny globules of lime-rich glass within the silica-rich glaze matrix is an important phenomenon known as phase separation. During that stage, kiln temperature was maintained at or just a little below 1200° Celsius, after which the kiln was slowly cooled down. These measures specifically cause phase separation in Jun glaze mixtures. The glaze’s translucency, which sometimes borders on opacity, derives not only from phase separation but from the presence of numerous particles and bubbles.

Jun wares were fired in circular, domed kilns of the mantou-type, so-named because of the kiln shape’s superficial resemblance to a Chinese dumpling. Due to their relatively small size and thick walls, mantou kilns permit more precise control of firing temperatures than most other traditional kiln types. But because of their smaller size, output was also significantly limited, hence the rarity of authentic Jun wares.

Expert’s note: The present vase features a vivid and rich glaze, but of a clearly experimental nature, with various firing irregularities as a result. It also shows numerous elements seen on other Jun ware spanning the Song and Yuan dynasties, which in this specific combination however appear to be extremely rare.

Literature comparison: A related bottle of near-identical form, excavated in Tuoxian, Huhehot, Inner Mongolia, is illustrated in Zhongguo taoci quanji [Complete series on Chinese ceramics], vol. 10, Shanghai, 2000, plate 192. Compare a related Jun bottle vase, with a similar rich and dramatic glaze, but slightly different form, dated to the Northern Song dynasty, in the collection of the British Museum, museum number PDF.92.

Auction result comparison: Compare a related Jun bottle vase of slightly different form, dated to the 12th century, at Christie’s Hong Kong in Important Chinese Ceramics and Works of Art on 29 November 2017, lot 2905, sold for HKD 4,900,000.

宋至元罕見鈞窯紅斑玉壺春瓶 中國,960-1368。玉壺春瓶通體施紫藍釉,瓶身有紅斑,瓶口薄釉,為橄欖綠色,在圈足上聚集,足底部刮釉,呈橘色。瓶身局部一些區域密佈著氣泡。

來源:法國私人收藏,凡爾賽Chevau-Legers Enchères拍賣行,2010年12月3日lot 182。Particulière Fran?aise收藏, 購於上述收藏。
品相: 品相良好,具有舊時磨損和顯著燒製缺陷,如麻點、大量爆裂氣泡,部分充滿沉積結殼、釉池和釉凹。瓶口邊緣有一小塊舊時修補。足緣周圍釉料的缺損失和磨損,主要是燒製過程中產生的,沉積結殼。 釉裂。 整體狀況非常好。

重量:1,320 克
尺寸:高26.6 厘米

此玉壺春瓶紫藍色釉色明亮,大塊的不規則紫紅斑和綠斑自然生動,使花瓶表面如寶石般光澤,拿在手中賞心悅目,尤其是在自然陽光下,反復的釉的釉色會產生獨特的彩虹色。

傳統鈞釉釉色淡雅均匀,半透明。儘管它們有顏色,但它們屬於青釉家族。鈞釉的淡雅和獨特的是由於釉料在燒製的最後階段自發分離成富含二氧化硅和富含石灰堿的玻璃。本質上,在富含二氧化珪的釉料基質中形成微小的富含石灰堿的玻璃球體是一種重要的現象,稱為分相釉。在此階段,窯溫保持在或略低於 1200 攝氏度,產生還原反應,導致鈞釉混合物中的相分離。釉料的半透明性有時接近於不透明,這不僅源於分相釉,還源於大量顆粒和氣泡的存在。

鈞窯是在圓形的圓頂窯中燒製的,因其窯形表面上與中國饅頭相似而得名。由於其相對較小的尺寸和較厚的牆壁,與大多數其他傳統窯類型相比,饅頭窯可以更精確地控制燒成溫度。但由於其體積較小,產量也明顯受限,因此正宗的鈞瓷很少見。

專家注釋:此瓶釉色生動豐富,但具有明顯的實驗性質,出現了各種燒製不規則現象。 它還展示了宋元時期其他鈞瓷上的眾多元素,但在這種特定組合中卻顯得極為罕見。

拍賣結果比較:
一件形狀相近的鈞窯瓶,十二世紀,見香港蘇富比Important Chinese Ceramics and Works of Art 于2017年11月29日 lot 2905, 售價HKD 4,900,000.

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拍品估价:7,500 - 15,000 欧元 起拍价格:7,500 欧元  买家佣金:

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