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of compressed globular form fi uted to mimic the petals of a chrysanthemum, the body with four rounded handles carved in ff ne openwork with chrysanthemum blossoms on leafy vines, raised on a low circular foot carved in radiating rings of petals, the domed cover surmounted by a ff nely carved openwork disc of further chrysanthemums, the stone of a pale celadonwhite with streaks of light russet, ff tted wood stand (3) Diameter 7? in., 19 cm
PROVENANCE
Collection of Mr. Stanley Charles Nott (by repute). Collection of Mrs. George Vetlesen (1877-1958), New York (by repute). Ashkenazie & Co., San Francisco, 1982. Chrysanthemum-form jade vessels were ff rst developed by artisans during the Qianlong period. The emperor had a particular fondness for chrysanthemum-decorated vessels executed in the Mughal style, and these two motifs were often paired in jade production during his reign. For another censer with a similar chrysanthemum openwork carved disc ff nial dated to the 18th century, see Roger Keverne, ed., Jade, London, 1995, ff g. 126. The carved chrysanthemum on the underside of the foot of the present example is similar to that on a pair of dishes in the Baur Collection, illustrated in Pierre-F. Schneeberger, The Baur Collection, Chinese Jades and other Hardstones, Geneva, 1976, nos. B 6-7.
清乾隆 白玉痕都斯坦式菊瓣紋蓋爐 來源 Stanley Charles Nott 收藏（傳） George Vetlesen (1877-1958) 收藏，紐約（傳） Ashkenazie & Co.，舊金山，1982年
