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well-modeled in spirited pose with a briskly raised right foreleg and head uplifted, mouth agape, fi aring nostrils and bulging eyes, the animal’s features fi nely detailed with forelock swept back towards the full, fi owing mane falling just short of the well-articulated saddle with stirrups, the ornamented bridle and harness suspending embossed bells, traces of red and black pigments over white slip
Height 25? in., 64. 1 cm
PROVENANCE
Collection of Arthur B. Michael (1853-1942), Newton Center, Massachusetts (bequest of 1942).
Collection of the Albright-Knox Art Gallery, Bu| alo, New York, no. 1942:16.19.
Sotheby’s New York, 20th March 2007, lot 509.
LITERATURE
Andrew C. Ritchie, Catalogue of the Paintings and Sculpture in the Permanent Collection, AlbrightKnox Gallery, Bu| alo, 1949, cat. no. 214
Steven A. Nash, with Katy Kline, Charlotta Kotik and Emese Wood, Albright-Knox Art Gallery: Painting and Sculpture from Antiquity to 1942, New York, 1979, p. 106.
With its dynamic pose and well-defi ned musculature, the horse conveys a lively sense of energy which is heightened by the whinnying implied by its open mouth and pleasant jingling of moving bells. The long elegant mane and prancing position represent one of a highly desirable and rare group of trained dancing horses that were much in demand by the imperial household and its guests.
唐七 / 八世紀 陶加彩馬
來源 Arthur B. Michael (1853-1942) 收藏，Newton Center，麻省（1942年遺贈）
Albright-Knox Art Gallery 收藏，水牛城，紐約， 編號1942:16.19
紐約蘇富比2007年3月20日，編號509
出版
Andrew C. Ritchie，《Catalogue of the Paintings and Sculpture in the Permanent Collection》 ，Albright-Knox Gallery，水牛城，1949年，編 號214
Steven A. Nash、Katy Kline、Charlotta Kotik 及 Emese Wood，《Albright-Knox Art Gallery: Painting and Sculpture from Antiquity to 1942》 ，紐約，1979年，頁106
