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the ovoid body painted with ff ve phoenix and peony scroll roundels above a band of raised and molded upright lotus petals, the shoulder with ff ve molded bats below a raised band encircling the base of the waisted neck painted as an archaistic phoenix scroll below a fi ared mouthrim,the base with a six-character seal mark in underglaze blue
Height 13? in., 34.3 cm
The unusual six-character seal on the base of this vase is identiff ed by Geng Baochang as a mark used at Jingdezhen at the beginning of the Qianlong emperor’s reign in Ming Qing ciqi jianding [Conoisseurship of Ming and Qing Porcelain], Hong Kong, 1993, p. 344. Geng identiff es the same mark on famille-rose, blue and white, and on underglaze blue and copper red vases, such as the garlic-mouth vase found in the Shanghai Museum and illustrated in Wang Qingzheng, Underglaze Blue and Red, Hong Kong, 1993, pl. 181. The mark is associated with Tang Ying’s supervision of the kiln during this period, and is further discussed by Peter Lam in his essay Four Studies on Yongzheng and Qianlong Imperial Ware in Ethereal Elegance: Porcelain Vases of the Imperial Qing, The Huaihaitang Collection, Hong Kong, 2007, p. 56.
清乾隆 青花團鳳紋瓶
《大清乾隆年製》款
