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Indian Rajasthan School Style Painting Series of Barahmasa
英国 北京时间
2021年11月30日 开拍 / 2021年11月28日 截止委托
拍品描述
Late 19th-early 20th century AD. A group of twelve Rajasthan School(?) hand painted figural scenes of Barahmasa on paper, illustrating the changes of the twelve seasons, each painted in vibrant colours and framed by a yellow and red border, the month in Hindi below: March-April, Chaitra: the first month of the Indian calendar, showing a prince dressed as Lord Krishna seated with his beloved, symbolising an amorous encounter set on a marble pavilion within a bower composed of plantain trees, a second couple engaged in love-making near a fountain, a third couple on a pavilion above, hills, birds, deer and trees in the background April-May, Vaishakha: the royal lovers, modelled as Radha and Krishna, shown seated in a palace pavilion above a char-bagh garden with a grid of fountains, outside the palace walls women worship ?Bata? in the form of a banyan tree, two warriors with bows and arrows returning from a hunt, an attendant with bow drawn to silence the peacock disturbing the royal couple with its call, trees and a hill in the background May-June, Jyestha: showing Krishna and consort in an upper pavilion flanked by attendants holding fans, fountains and swimming birds below, warriors with bows, cranes, deer and elephants in the landscape June-July, Ashada: monsoon rains with whips of lightening, Krishna trysts with a sakhi in a luxurious pavilion, nayika keeps guard outside as peacocks cry, Vishnu reclines in a shrine floating in a pond filled with lotus blossoms, an ascetic practicing yoga is visited by noblemen July-August, Shravana: portraying the festival of Gana-Gaura, commemorating the union of Shiva with his consort Parvati, showing the royal lovers engaged in love-making in their terrace pavilion, overlooking a procession of ladies carrying Parvati idols on their heads, and consigning them to the water, a young warrior/courtier is watching them from his door-steps, a boatman amongst lotus flowers, a mounted warrior returning home and lightening in the background August-September, Bhadon: representing the monsoon season, when many of those working away from their village traditionally return home and are reunited with their loved ones, the painting shows the two lovers looking out at the rain, with lions, elephants, trees and abundant wildlife around, lightning flashing across the skies September-October, Ashvina: the painting depicts the festival of Dashahara, during which Lord Rama had Ravana killed in battle, showing Devi?s shrine to which three courtiers are paying homage and sacrificing a buffalo, an ?army? marches towards a model of Lanka fortress, palace dwellers shower flowers on the marching army, the prince and his consort sit atop the terrace pavilion, signalling their departure by waving a fly whisk October-November, Kartika: legendary birds Chakva? and ?Chakvi? fly beside the moon, the prince, dressed like Lord Vishnu, enjoys music in the pavilion below, his consort in the terrace pavilion above, the month when crops are sewn November-December, Agahan: the prince seated on a terrace together with his consort, holding a gem, a maid carries a vessel of wine, the sun riding a horse-drawn chariot across the sky, cranes and other birds enticed by bountiful water and greenery, an image of Vishnu in the pavilion to the right, seated aesthetics before it December-January, Pausha: the prince and his beloved consort dressed in winter garments, warming themselves over a fire whilst palace attendants cook and clean, also whilst warming themselves, as do a couple in a hut outside the walls, showing three levels of society affected by the cold January-February, Magha: the month of spring, dark skies brightened by stars, trees and flowers in full bloom, maidens bathing in lotus-filled waters, worshippers before a shrine in one part of the pavilion, the prince in the pavilion above, persuading his reluctant beloved not to leave and unite with him in love February-March, Phalgun: Krishna wearing a gold lotus crown seated on a terrace, ladies below, playing Holi- throwing coloured powder at each other. 340 grams total, 34 x 24cm each (13 1/2 x 9 1/2"). From the private family collection of a West London gentleman previously in the personal collection of Harmadar Singh Thind thence by descent. A popular genre, providing the visual imagery for the poetry which usually accompanied such artwork. The Barahmasa series progresses according to the months of the Hindi lunar calendar, portraying lovers? minds as they change with the seasons, against a backdrop of shifting seasons and ritual events. [12]
condition:Fine condition.

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价格信息

拍品估价:1,800 - 2,400 英镑 起拍价格:1,000 英镑  买家佣金: 27.00% + VAT 服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

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