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Byzantine Openwork Horn with Peacocks
英国 北京时间
2021年11月30日 开拍 / 2021年11月28日 截止委托
拍品描述
7th-12th century AD. A worked horn with tapering oval-shaped body and openwork frieze composed of two facing peacocks, column of entwined vines between, fruiting vines around, semi-naturalistic detailing to the birds heads, plumage, wings and tails, repeated on the reverse with subtle variations in execution- a vining tree growing from a gadrooned vase between, the birds enjoying the fruits register of fruiting vines over pellets above and below. Cf. Darkevich, V.P., Secular Art of Byzantium, Moscow, 1975, p.76, for a magnified image of arcading and foliate detailing similar to that on the horn, in a metallic medium, dated 12th century AD see Institut du monde arabe, Lart copte en égypte: 2000 ans de Christianisme : exposition présentée à lInstitut du monde arabe, Paris, du 15 mai au 3 septembre 2000, Paris, 2000, p.198, no.225 for a plaque similarly decorated see Wamser, L., Die Welt von Byzanz - Europas ?stliches Erbe, München, 2004, item 406, for a horn or pyxis with broadly similar foliage decoration cf. Vassilaki, M. et al., Byzantium 330-1453, Royal Academy of Arts, London, 2009, pp.214-215, for very similar scenes in marble. 61 grams, 10.4cm (4"). Property of a London gentleman before that in the private collection of a Kensington collector previously in the collection of Mrs Petra Schamelman, Breitenbach, Germany acquired from the collection of Fernand Adda, formed in the 1920s-1930s. The Adda family, originally from Alexandria, formed the majority of their collection in the 1920s-1930s. Abraham Adda (b. circa 1855) had three sons, Victor (b. circa 1885-1965) a collector of coins, Iznik and ancient Egyptian objects Fernand, a collector of Iznik ceramics, and Joseph. The collection has been situated in Europe since before the Second World War this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10926-181058. This work was possibly made in Egypt by Christian people under Islamic rule. It is strongly influenced by Umayyad iconography, in which art finds inspiration in the botanical world. Christian symbols, such as the vine leaves that populate the surface of this exquisite work and symbolise prosperity, are abundant. The small round grains creep into the branches and are food for peacocks, a symbol of Christs resurrection. The same motif, in 10th century Umayyad Islamic art, is found in the pyxis of Princess Subh, a prized work of Hispanic-Moorish art preserved in the Municipal Museum of Madrid. [A video of this lot is available to view on Timeline Auctions Website]
condition:Fine condition.

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价格信息

拍品估价:15,000 - 20,000 英镑 起拍价格:13,000 英镑  买家佣金: 27.00% + VAT 服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

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