A finely and rare celadon-glazed carved Vase mark and period of Yongzheng: The vase are ovoid body, it is cleverly carved to simulate a tied pouch with vertical fold-like ribs rising from around the base, the shoulder encircled with a carved string tied on two sides into a four-looped tails, all beneath a superb celadon glaze of brilliant bluish-green colour draining around the rim and on the raised details to a paler shade, while pooling to a deeper hue between the ribs and around the bows, the unglazed foot rim applied with a purplish-brown dressing enclosing the glazed recessed base inscribed in underglaze-blue in archaic script with the six -character mark. Size: 22.5cm.,(Note: the Size not included copper gilt stander) 清雍正官窑粉青釉结带包袱瓶: 这是一件著名的大清雍正朝代的官窑粉青釉结带包袱瓶。《大清雍正年制》青花六字篆书款。其底款之篆法表明其为雍正朝之物,应为唐窑所出。包袱瓶的整体造型,结带纹饰的线条制作,舒展自然,做工精致细腻,外部通体施以粉青釉,青釉非常滋润,清亮,色泽清秀淡雅,莹润如玉,令人赏心悦目,沉醉,珍爱有加。三百年来保存至今,品相完好无损,殊为难得!清雍正朝代的官窑瓷器 是清代瓷器制作的顶峰,单色釉瓷器的釉色亦是色釉瓷器追求的最高境界。这件雍正官窑粉青釉结带包袱瓶非常名贵,珍罕,具有极高的艺术价值和极高的收藏价值。 此件包袱瓶为传世珍品。估计应该是在晚清时期流落于海外,从工艺判别,此瓶应该是流经伊朗,瓶口包镶菊瓣状铜口,腹部包镶精美的装饰物铜结带,底部则加铜四足装饰花卉纹托架,底座铜印上署有伊朗工匠制作铜口,底座的时间:“1866”年,以及铜印上像火炬以及叉戟交错的是阿拉伯文字,象征伊斯兰教先知穆罕默德与阿里,常见于伊斯兰教国家的图腾。 注意:拍品的最后 11 张图片,是介绍一件和本拍品尺寸,造型,釉色等一模一样,在2000年由香港苏富比拍卖行的专题拍卖,拍出的同类雍正粉青釉瓷器,以200万港元拍卖成交的图片及资料。
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品相报告
Very good condition. Age discolored, natural inclusions. Take all pictures at daylight source. 状况报告:状况良好,年久变色,有自然夹杂物。所有拍摄是在自然光源下