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MAQBOOLFIDAHUSAIN(1913-2011)Untitled(TwoWomen)
纽约 北京时间
2021年09月22日 开拍 / 2021年09月20日 截止委托
拍品描述
MAQBOOL FIDA HUSAIN (1913-2011)
Untitled (Two Women)
signed in Hindi and initialed in Urdu (lower right)
oil on canvas
29 7/8 x 48 in. (76 x 122 cm.)
Executedcirca 1960s
Private Collection, New Delhi Saffronart, 15 February 2014, Lot 5 Acquired from the above by the present owner
拍品专文 “Always it has seemed to me, that, to you, space was colour and colour was space, that space was unlimited, and that the space within the space, where you wanted to put an image could be invented at will. The woman speaking in profile, or with three-fourths face, flat feet and open hands, the bird's cage before her, was from your Grant Road cosmos. Then, you did a whole long strip called ‘Earth’ and put into it man and women and bulls and birds and flowers, who all looked as though they had sprung from the Indian mud, all part of life, instinct with the quick, prevalent as at the beginning of creation” (M.R. Anand, Poetry to be Seen, Homage to Husain by Mulk Raj Anand, Hyderabad, 2006). In the 1950s and 60s, Husain embarked on several trips around India, notably through the colorful countryside of Rajasthan and Kerala. He was heavily inspired by rural life, which he idealized in his work as being closest to the essence of Indian sensibility. Building upon the themes he began to explore in the 1950s, the present work moves beyond expression of sentiment to show Husain’s admiration for women as the foundation of society and leaders of village and home affairs. Here, the artist portrays two traditionally attired women in conversation, next to a sacred tulsi or holy basil plant, common to the courtyard of many Indian homes. Believed to be a manifestation of the Goddess Tulsi, women would water the plant every morning to ensure their families benefited from its religious and medicinal value, a practice also documented in many Indian court paintings.

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