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FRANCISNEWTONSOUZA(1924-2002)Untitled(ManinTunic)
纽约 北京时间
2021年09月22日 开拍 / 2021年09月20日 截止委托
拍品描述
FRANCIS NEWTON SOUZA (1924-2002)
Untitled (Man in Tunic)
signed and dated 'Souza 61' (center right)
oil, acrylic and pastel on canvas
30 x 26 in. (76.2 x 66 cm.)
Painted in 1961
The Collection of Victor Musgrave Grosvenor Gallery, London Acquired from the above
拍品专文 In this painting from 1961, Francis Newton Souza depicts a male figure in a decorated tunic, referencing perhaps the robes of representatives of the Catholic Church. Souza was brought up Catholic in Goa, a former Portuguese colony in India, and the rituals and vestments associated with the religion became a lifelong obsession for the artist. In his book, Words & Lines, Souza recalled, “The Roman Catholic Church had a tremendous influence over me, not its dogmas but its grand architecture and the splendour of its services [...] The priest dressed in richly embroidered vestments, each of his garments from the biretta to the chasuble symbolising the accoutrement of Christ’s passion“ (Artist statement, Words & Lines, London, 1959, p.10). For Souza, figures of authority such as priests represented both veneration and repudiation, a paradox which he wrote about in an autobiographical essay titled Nirvana of a Maggot, also published in Words & Lines. In this sharp essay, the artist discusses a friendship he struck up with a vicar on a trip to Goa, writing, “The vicar of the village church was a man of great religious fervour, unlike those others one meets in Goa who take priesthood and make it a mercenary end. The sacerdotal profession is a lucrative business there. The vicar and I became friends […] a sinner could be a good friend of a saint and a saint must necessarily be a friend of the sinner” (Artist statement, Words & Lines, London, 1959, p.15).

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