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A YELLOW AND RUSSET JADE CARVING OF A LUOHAN IN A GROTTO QING DYNASTY (1644-1911)
纽约 北京时间
2021年09月23日 开拍 / 2021年09月21日 截止委托
拍品描述
A YELLOW AND RUSSET JADE CARVING OF A LUOHAN IN A GROTTO
QING DYNASTY (1644-1911)
The front is well-carved in high relief with a luohan holding a scroll in his proper left hand seated within a deep grotto, with a gnarled tree to one side of the opening. The reverse is carved as a continuation of the rocky mountainside, the tips of the rocks accented by russet coloring. The stone is of soft yellowish tone with areas of russet color.
6 ? in. (17 cm.) high
Lot Essay The present carving belongs to a group of jade carvings that first appeared in the late Ming to early Qing dynasties, depicting luohan (disciples of Buddha known as arhats in Sanskrit) within a mountainous grotto setting. A selection of the eighteenth-century versions is inscribed with dedicatory or poetic inscriptions linking them to the Qianlong emperor (1736-1795). It is likely that these carvings in jade were inspired by a woodblock print of a jade carving of a luohan in a grotto included in the eighteenth-century catalogue Gu yu tu pu. See two slightly smaller comparable jade carvings of luohan seated against a backdrop of rock faces in the collection of the British Museum, London, illustrated by J. Rawson in Chinese Jade from the Neolithic to the Qing, London, 1995, pp. 410-11, no. 29:19 and fig. 1, where, p. 410, the author also gives an enlightening discussion on the context and significance of this group of carvings. Compare, also, with three jade carvings in the Asian Art Museum of San Francisco, one of Bodhidharma and two of luohan in a rocky setting, illustrated in Later Chinese Jades: Ming Dynasty to Early Twentieth Century from the Asian Art Museum of San Francisco, San Francisco, 2007, pp. 284-86, nos. 315, 316 and 317.

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