鬲式炉为龙泉窰之经典形制,但传世及馆藏品中,类似本品通施仿官釉者极为少见。扳口宽折沿,短粗颈,扁腹下收,腹下承三撇足,足底露灰白色坚致胎体,肩腹部与三足外侧有棱线凸起,以仿青铜制作时留下的合范线。通体施青釉,釉质呈玻化状态,开片大开大合,金丝铁线柔和淡雅,釉层肥厚,极显名贵高雅,釉光内蕴外发,通透凝润,青色陈陈,给人的感觉是滋润深沉、幽光弥漫,叫人叹为观止。 宋代盛行复古,即所谓“追三代于鼎彝之间”,效仿青铜器的造型,鬲式炉受到了宫廷及文人士大夫的喜好及鉴赏,成为宋人“四般闲事”中不可或缺的器具。在诗作中有广泛的吟咏,如宋代郑刚中《焚香》诗作中曰:“五月黄梅烂,书润幽斋湿。柏子探枯花,松脂得明粒。覆火纸灰深,古鼎孤烟立。偷然便假寐,万虑无相及。” 晚明鉴赏名家文震亨《长物志》卷四·器具—香炉条载:“三代,秦、汉鼎彝,及官、哥、定窑、龙泉、宣窑,皆以备赏鉴,非日用所宜。 请各位买家于拍卖前自行检查拍品的保存状态,并对您的竞买行为负责。图录中未说明的拍品保存状态,并不表示此件拍品没有缺陷或瑕疵。如有需要请向工作人员索取状态报告。We advise all buyers to carefully examine the condition of the auction lots before the auction and before bidding. If lot condition factors are not accounted for in the catalogue that does not mean the piece is without flaw. If you need further information about a lot please consult with one of the employees on hand at auction or preview for the complete condition report.