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A fine gold-and-black-lacquer five-case inro By Hon'ami Shoetsu, after Yamaguchi Soken, 19th century
英国 北京时间
2021年07月19日 开拍 / 2021年07月17日 截止委托
拍品描述
A fine gold-and-black-lacquer five-case inro By Hon'ami Shoetsu, after Yamaguchi Soken, 19th centuryThe tall vertical body with a roiro ground lacquered with a continuous scene of a girl gazing at her reflection in the Kagami-ishi (Mirror Rock), a tall flowering cherry tree beside a rushing stream on the reverse, its branches extending into cloud bands above, all in gold and slight-coloured takamaki-e and togidashi maki-e with profuse highlights of kirikane, the ends of fundame and the interior of nashiji, signed Hon'ami Shoetsu with a seal Shoetsu; with a solid lacquer multi-coloured ojime in the form of a shojo (red-haired drunken sprite), unsigned. 9.5cm (3?in) high. 注脚 鏡石図蒔絵印籠 銘「本阿弥枩悦 枩悦(方印)」 19世紀Provenance: F. A. Richards collection, purchased in Japan, 1914, sold at Sotheby's, London, 1964.Graham Gemmell, London, 1989.Wrangham collection, no.1965.Published: E. A. Wrangham, The Index of Inro Artists, Alnwick, Harehope Publications, 1995, p.246, Shoetsu, Hon'ami.Located to the north of the famous Kinkakuji Temple in Kyoto, the Kagami-ishi (also called the Kagami-iwa) was famed for its remarkable reflective and diagnostic properties. A image similar to that on the present inro is shown in Miyako meisho zue (Illustrations of Famous Places in the Capital), published in 1780. According to the picture caption, 'The Kagami-ishi is a rock that clearly reflects anything placed in front of it . . . It is large with a bright surface and often reflects a person's internal organs; if there is anything wrong it will show up clearly.' (1) Both Henri L. Joly and, later, V. F. Weber refer to a celebrated painting of this subject by Yamaguchi Soken (1759-1818). The present whereabouts of this work are unknown but it is almost certainly the one published in Nihon bijutsu gaho in 1899; Weber also reproduces a suzuribako (writing box) with the same design. (2)Notes:1. For the Miyako meisho zue, see Takemura Toshinori (ed.), Nihon meisho fuzoku zue (Traditional Topographical Works of Japan), Tokyo, 1981, vol. 8, pp.195-6. For an online reproduction, see also http://www.nichibun.ac.jp/meisyozue/kyoto/page7t/km_01_568.html.2. See H. L. Joly, Legend in Japanese Art, London, Kegan Paul, Trench, Trubner & Co., 1908, p.500, V. F. Weber, Ko-ji Ho-ten, Dictionnaire à l'usage des amateurs et collectionneurs d'objets d'art japonais et chinois, Paris, 1923, vol.2, p.169, fig.728, and Nihon bijutsu gaho, vol.5, no.12 (25 May 1899), 'Maiden before a Stone Mirror', accessible at http://www.tobunken.go.jp/materials/gahou/page/42, where both Soken's name ('Sojun') and the date of his death (1804) are inaccurate.The Edward Wrangham Collection of Japanese Art: Part VI, lot 125.www.bonhams.com/auctions/22338/lot/125/

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拍品估价:14,000 - 16,000 英镑 起拍价格:14,000 英镑  买家佣金:
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