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PROPERTY FROM THE COLLECTION OF MICHAEL GALLIS
Qi Baishi (1864-1957)
Li TieguaiA folding fan mounted as a hanging scroll, ink and color on paper, signed Qi Huang, followed by an artist's seal reading Ahzhi.23 x 10 1/2in (58.4 x 26.6cm)
注脚
齊白石 李鐵拐 設色紙本 扇面裱為立軸 PROVENANCEFar East Fine Arts, San Francisco, California, March 2000PUBLISHEDGallis, Michael and Ma Xinle, Michael Gallis Collection of Chinese Paintings Maike Gailesi Zhongguo hua shoucang: yige Xifang xuezhe de Zhonghua wenhua zhilu?, Tianjin Renmin Meishu Chubanshe, 2019, pp.162-163Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee Barrett, Modern Ink: The Art of Qi Baishi, Berkeley, The Mozhai Foundation, 2014, plate 5, Cover. EXHIBITEDThe Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA, October 29, 2013-July 13, 2014來源舊金山遠東藝術畫廊，2000年3月出版馬欣樂主編，《邁克·蓋勒斯中國畫收藏：一個西方學者的中華文化之旅》，天津人民美術出版社，2019年，頁162-163Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee Barrett, Modern Ink: The Art of Qi Baishi, Berkeley，The Mozhai Foundation, 2014年, 圖版5展覽The Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi, 亞洲博物館李鐘文眼周藝術文化中心，舊金山，加州，2013年10月29日-2014年7月13日Although undated, this fan was likely painted by Qi Baishi in his early years. His use of the Azhi seal is one indication and his figural depictions after his seventies are scarce. With a minimum of brushstrokes, Qi Baishi's depiction of the Daoist immortal Li Tieguai recalls the quick expressive approach of the Song and Yuan dynasty Chan Buddhist painters as interpreted by 18th century Yangzhou eccentric artists Jin Nong (1687-1763) and Luo Pin (1733–1799).
