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Three Satsuma vessles The first by Matsumoto Shozan, the second by Meigyokuzan for the Hododa workshop, the third by SetsukoMeiji (1868-1912) or Taisho (1912-1926) era, 19th/20th century
Property from the Indianapolis Museum of Art at Newfields
Three Satsuma vessles
The first by Matsumoto Shozan, the second by Meigyokuzan for the Hododa workshop, the third by SetsukoMeiji (1868-1912) or Taisho (1912-1926) era, 19th/20th centuryAll decorated in polychrome enamels and gilt on a clear, crackled ground, comprising a small, bulbous vase in pomegranate form painted with two panels of courtiers before a curtain of state, and a beauty and attendants on a seaside outing, punctuated by smaller panels containing torii gates and Mount Fuji, and a rocky shoreline with pine trees, the surrounding areas with geometric patterns, signed Matsumoto Shozan; a squat ewer set on tripod feet and applied with a spout and handle formed as coiling dragons, the cover with a serpent finial, the body painted with baskets of blossoming flowers, the underside with floral sprays, signed Hododa sei, Meigyoku ga and with the mark of the Shimazu family; a small ewer with a wide shoulder tapering to the foot and applied with a upright spout, the body painted with blossoming flowers on a bamboo stand, the shoulder with a lappet band and the cover with a chrysanthemum finial, signed Setsuko and with the mark of the Shimazu family 6 3/4in (17.2cm) wide, the largest
