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国内拍卖首页 > The Great Value Auctions > 夏季中国瓷器、书画及玉器拍卖会-2020 > Lot 244

STONE SAKYAMUNNI BUDDHA STATUE, TANG OR BEFORE TANG

加拿大北京时间

2020年07月14日开拍

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拍品描述: 唐代-唐代以前，一座石雕米勒佛坐姿像：拍品尺寸：高度:44.5cm, 宽度:21.5cm, 厚度:16cm. 拍品来源：北美地区古董商珍藏品。这是一尊非常珍贵的石雕米勒佛坐姿像，唐代(618-907)-或更早时期，它属于石材立体雕刻佛像，彩绘。唐代佛像的特点是圆脸，脸部非常形象，逼真，佛像形态栩栩如生。唐朝是国家最为稳定和强大的一个朝代，这件石雕佛像原本是彩绘的，由于长期储存超过1000年，大部分颜色被侵蚀。然而，这并没有影响到这尊雕像的价值，因为这尊佛像栩栩如生的面部表情是不可能被复制的。这件作品是一件真正的唐代石雕佛像，至今任然能够基本完整保存下来，非常难能可贵。它具有极高的历史和文化，艺术的欣赏价值和收藏价值，属于博物馆的馆藏级别的收藏和展览品级。堅毅千年的石雕造像：隨著佛法的傳播，出現石窟、佛寺、塔廟等佛教建築，並安置、供奉佛教造像。唐代以前，重視石窟的開鑿，石雕是窟中主角，石質堅硬，千年不毀。古代匠師們運用圓雕、浮雕、透雕、平雕、線刻等工法，在石質材料上創造出各種氣勢雄偉、生動精美的石雕藝術。　館藏歷代石雕造像，以歷史的軸線呈現千年文物石雕藝術風格，如希臘文化與印度文化完美結合的犍陀羅菩薩像；佛法流布中土後的南北朝石雕造型──北周的厚重古樸、北齊的簡練典雅；隋唐時期的華貴豐潤與恢弘氣度……匯聚歷朝造像珍品，體現各時代的造像特徵，釋放各朝代的歷史能量。参考资料：请参阅：亚洲艺术博物馆的中国佛像--美国旧金山亚洲艺术博物馆收藏的中国佛教造像计有七十余尊。依据造像材质的不同，有金铜、石刻、陶瓷及玉木之分。其中以石刻造像居多，时代特征明显，且不乏精品。网站网址：https://www.petronia.cn/xunbao/xb20180324-119.html 参考资料：馆藏思维弥勒像虽运用成规的造像碑格式和构图，但设计制作别具一格。用镂空技法雕出一庭园背景，为白色的大理石作品更增添了一种清新和轻盈的视觉效果。弥勒左脚踩莲座，半跏趺坐于两棵大树之间。树干有龙盘绕，两树枝叶相缠构成圆拱形背屏，又有四飞天簇拥一方塔于中央。这些细节是弥勒经典形象的描绘，弥勒在龙华树下成佛，方塔即释迦牟尼的舍利塔。莲座和方塔象征弥勒是释迦佛的继承人。弥勒脸形方圆，戴头冠和璎珞，躯干和四肢分明，肩臂圆润，薄裙贴体。两旁有胁侍菩萨，腹部前凸，一腿侧立，膝盖略弯，作稍息站势，开启了后代菩萨形体造型的新风尚。人物造型是汉化和受印度笈多佛雕（Gupta）风格影响的产物。此尊造像是北齐时期题材和雕刻巧妙结合的典范。请参阅：保利香港秋拍资料：http://www.cnarts.net/cweb%5Cnews/read.asp?id=421125&kind=%C5%C4%C2%F4----------------------------------------------------------- Before tang dynasty - tang dynasty, a stone sculpture of Miller Buddha sitting like: lot size: height: 44.5 cm, width: 21.5 cm, thickness: 16cm. This is a very valuable stone sculpture of Millar Buddha sitting in tang dynasty (618-907) - or earlier, it belongs to stone three-dimensional sculpture of Buddha, painted. Tang dynasty Buddha is characterized by a round face, the face is very vivid, lifelike, the form of Buddha lifelike. The tang dynasty was one of the most stable and powerful dynasties in the country. This stone Buddha statue was originally painted, but after being stored for more than 1,000 years, most of the color has been eroded. However, this does not affect the value of the statue, because the lifelike facial expressions of the Buddha are impossible to replicate. This work is a real stone Buddha statue of the tang dynasty, which is still able to be basically intact, very valuable. It has the extremely high history and the culture, the art appreciation value and the collection value, belongs to the museum collection level collection and the exhibition level. Stone statues with determination for thousands of years: with the spread of Buddhism, there are grottoes, Buddhist temples, pagoda temples and other Buddhist buildings, and the placement, worship of Buddhist statues. Before the tang dynasty, great importance was attached to the excavation of the grottoes. Stone carving was the leading role in the grottoes. Ancient craftsmen used round carving, relief carving, transparent carving, flat carving, line carving and other work methods, on the stone materials to create a variety of imposing, vivid and exquisite stone art. Collection of stone sculpture of the past dynasties, with the axis of history to present the millennium cultural relics stone art style, such as the perfect combination of Greek culture and Indian culture Gandhara bodhisattva; The style of stone carving in the northern and southern dynasties after the middle earth was covered by the Buddha dharma -- the thick and simple style of the northern Zhou dynasty and the simplicity and elegance of the northern Qi dynasty; Sui and tang dynasties rich and magnificent and magnificent...... Collect the treasures of dynasties, reflect the characteristics of each era, release the historical energy of each dynasty. The Asian art museum has more than 70 Chinese Buddhist statues in its collection. According to the different materials, there are gold and copper, stone carving, ceramics and jade wood. Among them, stone carving statues are in the majority, with obvious characteristics of The Times, and there is no lack of boutique. Web site: https://www.petronia.cn/xunbao/xb20180324-119.html resources: collection of thinking monuments, statues of Maitreya as though using stereotyping format and composition, but design having a unique style. Using Hollow work to carve out a garden background adds a fresh and light visual effect to the white marble work. Maitreya sits half - lotus between two big trees with her left foot. The trunk of the tree has a dragon coil, two trees twining each other to form a round arch back screen, and four flying sky cluster around a square tower in the center. These details are a representation of the classic image of Maitreya, who becomes a Buddha under a Longhua tree, the square tower, or Sakyamuni's Stupa. Rosettes and square towers symbolize Maitreya as the heir of the Buddha. Maitreya has a square and square face, wearing a hat and Carcanet, with clear torso and limbs, rounded arms and shoulders, and a thin skirt. There are flank bodhisattva on both sides, the abdomen is protruding, one leg stands on the side, the knee is slightly bent, make stand at a slight Angle, opened the new fashion of form Modelling of posterity bodhisattva. The characters are Han Chinese and influenced by the Gupta style of India. This statue is an example of the ingenious combination of subject matter and sculpture in the northern Qi period. Please refer to: poly Hong Kong autumn sales data: http://www.cnarts.net/cweb%5Cnews/read.asp? Id = 421125 & amp; Kind C2 C4 C5 = % % % % F4
---以下为第三方软件翻译，仅供参考---

品相报告: Good, Age discolored, natural inclusions.His right hand is damaged. / 状况报告：状况良好。年久变色, 有自然夹杂物, 右手有残. Note: This item is a special auction item. Interested parties can also contact the auction house before the auction to get pre-sale discounts. 注：此件为特殊拍卖品，有意者亦可拍卖前联系拍卖行，获得拍前优惠。
---以下为第三方软件翻译，仅供参考---

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