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国内拍卖首页 > 888 Auctions Inc. > 波普艺术、现代书画与亚洲古董艺术品 > Lot 180

Arthur Heintzelman US 1891-1965 Etching Ed. 90

加拿大北京时间

2019年07月19日开拍

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拍品描述: Etching on laid paper, 1929; edition of 90. Entitled "Le bibliophile." Signed by Arthur William Heintzelman (American, 1891-1965) with edition notation in the lower margin in pencil. Kleemann Galleries label with inscribed title on verso. Image size: 9.9 x 8.0 in. (25 x 20.3 cm.). Sheet size: 16.1 x 13.4 in.(41 x 34 cm.) Born in Newark, New Jersey, Arthur William Heintzelman was a painter, etcher, copyist, teacher, and curator. Raised in Providence, Rhode Island, he first studied art at the Rhode Island School of Design, where he subsequently taught, and also in Europe. The Heintzelmans made their home in France and subsequently in Switzerland from 1921 until 1934, when they returned to the United States. Already widely respected as a printmaker prior to his departure for Europe, he became internationally famous during his years abroad and was - and is - regarded as one of the greatest etchers of the Twentieth Century. In appreciation for his contribution to French art and culture, he was named to the Legion of Honor by the French government. Following his return to the United States, Heintzelman became the first Keeper of Prints at the Boston Public Library and served there from 1941 to his retirement in 1960, and also headed the Fine Arts department of the Rhode Island School of Design. He was awarded numerous international prizes for his etchings, and his works are found in museum collections through the US and Europe. Heintzelman belonged to numerous professional associations both here and abroad. He lived and worked in Boston, Marblehead, and Rockport, Massachusetts and in New York City. He died at Rockport, Massachusetts. LITERATURE: American prints in the Library of Congress: a catalog of the collection compiled by Karen F. Beall (Baltimore: John Hopkins Press, 1970, p. 204). Etchings and lithographs by Albert Sterner (Kleemann-Thorman Galleries, New York City, 1934). PROVENANCE: Kleemann Galleries (Circa 1930s, New York, United States). Private estate (Connecticut, United States)
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Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
---以下为第三方软件翻译，仅供参考---

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