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国内拍卖首页 > 888 Auctions Inc. > 波普艺术、现代书画与亚洲古董艺术品 > Lot 75

Sonia Delaunay Ukrainian-French Orphist OOC

加拿大北京时间

2019年07月19日开拍

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拍品描述: Oil on canvas, stretched and framed. Featuring concentric circles. Signed Sonia Delaunay (Ukrainian-1885-1979, French) on the lower right corner. Illegible blue stamp on the lower right corner of verso. 48 x 48 cm (19 x 19 inches). PROVENANCE: Private European estate.

Sonia Delaunay (Ukrainian-(1885-1979, French) was a multi-disciplinary abstract artist and key figure in the Parisian avant-garde. Alongside her husband, Robert Delaunay, she pioneered the movement Simultanism. Her exploration of the interaction between colours has created a sense of depth and movement throughout her oeuvre. Sonia Delaunay spanned the full arc of the adventure of abstraction in Europe across the first half of the 20th century. One of the early pioneers, she helped to bring art and life together in the period between the First and Second World Wars and continued to champion the cause of abstraction as a universal visual language in the post-war era. As she wrote in her autobiography: We Will Go Right Up to the Sun (Nous irons jusq’au soleil) in 1978, one year before she passed away: ‘What had people been saying about me up to then? ?- ?muse of Orphism, decorator, Robert Delaunay’s partner. Then they conceded: "collaborator, continuer…" before admitting that the work existed in its own right." As well as a major retrospective at the Kunstmuseum Bielefeld in 1958, Delaunay was the first living female artist to have a retrospective exhibition at the Louvre in 1964. She has also had her work shown at Musee d’Art Moderne in Paris, Smithsonian Cooper-Hewitt, National Design Museum, Musee des Arts Decoratifs, Musee National d’Art Moderne and Tate Modern.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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