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国内拍卖首页 > 888 Auctions Inc. > 波普艺术、现代书画与亚洲古董艺术品 > Lot 6

Yves Tanguy American-French Surrealist Gouache

加拿大北京时间

2019年07月19日开拍

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拍品描述: Gouache on paper. Featuring a surrealist composition. Signed YVES TANGUY on the lower left corner. Attributed to Yves Tanguy (1900-1955, American-French). 29.5 x 20.5 cm (11.6 x 8.1 inches). PROVENANCE: Southern Ontario estate

Yves Tanguy (1900-1955) was an American-French early Surrealist painter whose work was influential to many noteworthy artists and thinkers, includimg Isamu Noguchi, David Hare, and Roberto Matta. Tanguy, whose full name is Raymond Georges Yves Tanguy, was born on January 5, 1900, in Paris, France and befriended the son of Henri Matisse, Pierre, at an early age. His surreal landscapes, reminiscent of Giorgio de Chirico, pair themes of psychology and personal symbolism with specific, precise imagery. Unlike other Surrealists, he represented dreamspace with a high degree of naturalism and realism, achieving believability among the fantastical scenes he represented. Among his best-known works is the oil painting Mama, Papa is Wounded! (1927), a gray-blue composition featuring a mysterious wasteland referencing the anxiety of a post-World War I world. Regarding his artistic process, Tanguay said that “the painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.” The artist died on January 15, 1955 in Woodbury, CT.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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