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国内拍卖首页 > 888 Auctions Inc. > 现代艺术、书画及中国艺术品 > Lot 87

Georges Mathieu French Lyrical Abstractionist OOC

加拿大北京时间

2019年06月21日开拍

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拍品描述: Oil on canvas, framed and stretched. Featuring an abstract expressionist composition. Signed Mathieu on the lower left corner. Attributed to Georges Mathieu (French, 1921-2012) on the lower left corner. 37 x 46 cm (14.6 x 18.1 inches), frame: 43 x 51 cm (16.9 x 20.1 inches). PROVENANCE: Southern Ontario estate

Georges Mathieu (1921-2012) was a French painter and theorist credited with launching the Lyrical Abstraction movement and the greater trend of Informalism in post-WWII Paris. He published several manifestoes outlining the beliefs of Lyrical Abstraction, which prioritize the primacy of speed, denial of references, and ecstatic state of mind as important means in creating paintings. His work had a distinctive calligraphic and rhythmic quality, which notably resembles Jackson Pollock’s drip paintings. Often performing on live French television by quickly creating paintings on camera, “The most important moments are clearly when I paint in public,” he once observed. “It is the joy of communion with the other. A little like what happens in love. What defines love is this tension between two beings with a shared focus.” Born on January 27, 1921 in Boulogne-sur-Mer, France, Mathieu advocated for the improvement of the design of everyday objects and the disavowal of culture produced by mass media throughout his life. His work can be found in the collections of the Solomon R. Guggenheim Museum in New York and the Art Institute of Chicago, among others. Mathieu died on June 10, 2012 in Boulogne-Billancourt, France at the age of 91.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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