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国内拍卖首页 > 888 Auctions Inc. > 现代艺术、书画及中国艺术品 > Lot 49

Suzanne Valadon French Post-Impressionist Mixed

加拿大北京时间

2019年06月21日开拍

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拍品描述: Mixed media on paper, framed. Study, featuring a bathing nude. Attributed to Suzanne Valadon (French, 1865-1938). 21 x 32 cm (8.3 x 12.6 inches), frame: 31 x 41 cm (12.2 x 16.1 inches). PROVENANCE: Southern Ontario estate

Suzanne Valadon (1865-1938) was a French painter and notably the first woman admitted to the Société Nationale des Beaux-Arts. The mother of renowned landscape painter Maurice Utrillo, Valadon’s richly colored depictions of female bathers and floral still lifes are among her most revered works. Born on September 23, 1865 in Bessines-sur-Gartempe, France, her mother was unmarried and forced to leave her hometown to escape scandal. Valadon began her career in the arts as a teenager, in the Montmartre neighborhood of Paris. In Montmarte, she began working as a model for artists who patronized the cabaret Lapin Agile. Her clients included artists such as Pierre Puvis de Chavannes, Pierre-Auguste Renoir, and Jean Louis Forain. With their help, and the help of Henri de Toulouse-Lautrec and Edgar Degas, Valadon learned to paint. Later, at the age of 44, she was able to focus solely on her art career. She died on April 7, 1938 in Paris, France. The artist’s works are in the collections of the Centre Georges Pompidou in Paris, the Art Institute of Chicago, and The Museum of Modern Art in New York.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

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Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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