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国内拍卖首页 > 888 Auctions Inc. > 现代艺术与亚洲古董藏品拍卖会 > Lot 132

Andre Derain French Fauvist Linocut Signed EA

加拿大北京时间

2019年04月26日开拍

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拍品描述: Linocut on paper. Featuring a portrait of a woman. Signed a Derain and inscribed E.A in pencil on the lower right and lower left corner, respectively. Attributed to Andre Derain (1880-1954, French). 14.5 x 21 cm (5.7 x 8.3 inches). PROVENANCE: Private European collection (Lisbon, Portugal)

Andre Derain was a seminal French painter known for his landscapes, portraits, and still lifes. Alongside Henri Matisse, Derain pioneered the use of pure color relationships to produce vibrant Fauvist works such as London Bridge (1906). “Fauvism was our ordeal by fire - colors became charges of dynamite,” he once explained. “The great merit of this method was to free the picture from all imitative and conventional contact.” Born on June 10, 1880 in Chatou, France, Derain began painting at an early age, meeting Matisse in the class of the Symbolist painter Eugène Carriere. Derain and Matisse spent the summer of 1905 together, painting around the Mediterranean village of Collioure. Here, they developed an approach towards painting that emphasized the sun-soaked landscape with patches of bright color. Later that year, at the annual Salon d'Automne, the critic Louis Vauxcelles derisively described the artists as les fauves (the wild beasts). Abandoning both Fauvism and Cubism by the early 1920s, Derain began producing tonal paintings inspired by Claude Lorrain’s landscapes and 17th-century Dutch and Flemish still lifes. An unforeseen response to these more traditional works came from the Nazi regime, who believed they represented a return to Neoclassical ideals. After World War II, he was unjustifiably accused of being a Nazi sympathizer. The artist died on September 8, 1954 in Garches, France. Today, Derain’s works are held in the collections of the Hermitage Museum in St. Petersburg, the Musée d’Orsay in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among others.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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