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国内拍卖首页 > 888 Auctions Inc. > 现代艺术与亚洲古董藏品拍卖会 > Lot 124

Alexander Antanenka b.1951 Russian Acrylic Canvas

加拿大北京时间

2019年04月26日开拍

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拍品描述: Acrylic on canvas, thickly painted in his characteristic Electric Impressionism. Entitled, "Moulin Rouge" and dated 2019 on verso.36 x 24 inches (91.4 x 61.0 cm). Signed by Alexander Antanenka (b. 1951, Russian-American based in the United States). Accompanied by a certificate signed by the artist. Alexander Antanenka was born in Brest, Soviet Union on February 16th, 1951 where he attended art school in grade school, he also attended the Art Academy in Leningrad, Russia and graduated at the top of his class in 1978. Antanenka fled to Siberian City of Maganda after his parents were killed in the Chernobyl disaster, and he was displeased with the Soviet governments attempted to cover up this tragic event. Many artists, poets and politicians who did not believe in their governments practice exiled here. Alexander’s work changed while he resided in the city of Maganda and he was able to express his emotions through his artwork. Many Japanese were interested in his art but unfortunately he was unable to have an exhibition because the KGB restricted him. After the fall out of the Soviet he was able to hold his own exhibitions in different cities such as: Maganda in 1990, Vladivostok in 1992, Minsk and Brest in 1996, just to name a few. Alexander now resides in the United States and his artwork is in private collections around the world. Exhibited at the Amsterdam Whitney Gallery in Chelsea (New York). PROVENANCE: From the family of the artist.
---以下为第三方软件翻译，仅供参考---

品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
---以下为第三方软件翻译，仅供参考---

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