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国内拍卖首页 > 888 Auctions Inc. > 精美古董艺术品拍卖会 > Lot 282

Huang Binhong 1865-1955 Chinese Watercolor Paper

加拿大

2019年04月12日开拍

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拍品描述: Watercolor and ink on paper roll, featuring mountainous landscape, signed and attr. Huang Binhong (Chinese, 1865-1955), inscribed with 1 artist seal, 33 x 32 cm, Huang Binhong painter was well-known for his freehand landscapes. “The ancients often remarked that in painting it is better to be clumsy than clever,” he once wrote. “Some may even say that the clever can also be clumsy, because to understand that cleverness can lead to stupidity is to be close to the ways of heaven.” Born on January 27, 1865 in Jinhua, China to a family of artists and scholars. As a young man, his anti-government sentiments led him to flee to Shanghai, where he edited art books and magazines. In 1934, he wrote Huafa Yaozhi (Principles of Painting), in this work, the artist explained the techniques he used for ink and brush. Huang’s artistic style matured fully during this time period. During the end of his care his eyesight began to weaken, helping him to further break away from more traditional depictions of naturalistic form. The artist held his first solo retrospective when he was 80 years old. Huang died on March 25, 1955. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the British Museum in London, and the Museum of Fine Arts in Boston. PROVENANCE: Property of a gentleman (East Toronto, Canada)
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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