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A RARE PAINTED POTTERY 'TARGET' BASIN, PAN, HAN DYNASTY
奥地利
04月16日 下午5点 开拍 /14天2小时
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Scientific Analysis Report: A thermoluminescence analysis report issued by Oxford Authentication on 25 February 2026, based on sample number C126b64, sets the firing date of the two samples taken between 1500 and 2400 years ago, consistent with the dating above. A copy of the report accompanies this lot.China, 206 BC-220 AD. The deep sides rising from a flat foot to a flared rim, the dark gray ware boldly painted in lustrous black and luminous red pigments with concentric circular bands forming a boldly abstract and remarkably modern 'target' design. Provenance: Lam & Co. Antiquities, Hong Kong, 2004. A copy of a certificate of antiquity from Lam & Co., dated 5 March 2004 and confirming the dating above, accompanies the lot. Lam & Co. Antiquities was established in 1998 and has since become a respected specialist in Chinese antiques, with particular strength in early ceramics, Tang glazed wares, terracotta figures, wood carvings, paintings, rare books, and early Buddhist sculpture. Working closely with dealers and major auction houses worldwide, Lam & Co has assisted collectors in building significant collections and has handled works that have subsequently entered museum holdings. In 2019, the firm expanded internationally with the opening of Lam & Co. UK in London, further extending its services to collectors of ancient and modern Chinese art worldwide. Condition: Very good condition with old wear, slight warping, traces of burial and soil encrustations, nicks, scratches, a few small chips, and a small hole drilled to the exterior, for sample analysis. There is minor retouching to the ancient pigments, consistent with conservation practices observed within this corpus.Weight: 2.6 kg Dimensions: Diameter 42 cmExpert's note: Expressive polychrome designs on ancient Chinese wares have had a far-reaching influence across cultures and periods, inspiring countless artists and even entire movements. The American painter Jasper Johns (b. 1930) was stationed in Sendai, Japan in 1952-1953 during the Korean War, an experience many scholars see as formative for his artistic development. Johns' later focus on surface, materiality, and the act of marking has often been noted for its resonance with East Asian artistic traditions. His target paintings, begun shortly after his return to New York in 1953, bear a striking formal resemblance to the present pottery basin, revealing an unexpected continuity of visual language across time and culture. See an example dated 1958 and included in a joint retrospective exhibition by the Philadelphia Museum of Art and Whitney Museum of American Art, 30 September 2020-13 February 2022.The present basin, known as pan in Chinese, was produced in a variety of materials, including lacquer and bronze, and was traditionally used for the presentation and serving of food.Literature comparison:Compare a related painted pottery basin, pan, dated Western Han, 34.8 cm, unearthed from Tomb M3 at Datian, Songbo, Weihai, and now in the Weihai Museum. Compare a related lacquer washbasin, dated to the Western Han dynasty, excavated from the tomb of Li Xi in Mawangdui, Hunan, and now in the Hunan Museum.

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